Hard Boiled [Blu-ray]

• HARD BOILED BLU-RAY (BLU-RAY DISC)

Chow Yun-Fat stars as one of the all-time toughest, coolest cops, who teams up with an undercover agent to bring down a ruthless gun smuggling ring. Features some of the most amazing action cinematography in film history.Masterful Hong Kong action director John Woo (The Killer, Face/Off) turns in this exciting and pyrotechnic tale of warring gangsters and shifting loyalties. Chow Yun-fat (The Replacement Killers) plays a take-no-prisoners cop on the trail of the triad, the Hong Kong Mafia, when his partner is killed during a gun battle. His guilt propels him into an all-out war against the gang, including an up-and-coming soldier in the mob (Tony Leung) who turns out to be an undercover cop. The two men must come to terms with their allegiance to the force and their loyalty to each other as they try to take down the gangsters. A stunning! feast of hyperbolic action sequences (including a climactic sequence in an entire hospital taken hostage), Hard-Boiled is a rare treat for fans of the action genre, with sequences as thrilling and intense as any ever committed to film. --Robert Lane

Before Sunrise

• BEFORE SUNRISE (DVD MOVIE)

BEFORE SUNSET - DVD MovieIn 1994, director Richard Linklater (Dazed and Confused, Waking Life) made Before Sunrise, a gorgeous poem of a movie about two strangers (played by Ethan Hawke and Julie Delpy) wandering around Vienna, talking, and falling in love. Ten years later, Linklater, Hawke, and Delpy have returned with Before Sunset, which reunites the same characters after Hawke has written a book about that night. Delpy appears at the final book reading of his European tour; they have less than two hours before Hawke has to catch a flight to New York...and in that time, they walk around Paris, talk, and fall in love all over again. It sounds simple, perhaps dull, but it's written with such skill and care and acted with such richness that it's a miracle of filmmaking. On its own, Before Sunset is moving and wonderful; seen right ! after Before Sunrise, it will break your heart. --Bret FetzerA heartbroken young Texas journalist meets a beautiful French student on a train bound for Paris, and invites her to share his last night in Vienna.
Genre: Feature Film-Drama
Rating: R
Release Date: 6-NOV-2001
Media Type: DVDThis romantic, witty, and ultimately poignant glimpse at two strangers (Ethan Hawke and Julie Delpy) who share thoughts, affections, and past experiences during one 14-hour tryst in Vienna somehow remains writer/director Richard Linklater's (Dazed and Confused, Slacker) most overlooked gem. Delpy, a stunning, low-key Parisian, meets the stammering American Hawke, as the two share a Eurorail seat--she's starting school in Paris, he's finishing a vacation. Their mutual attraction leads to an awkward meeting (beautifully played by each performer), and Hawke suggests that Delpy spend his remaining 14 hours in Vienna with him.

! Typically, this skeleton is as much plot as Linklater provide! s; as us ual, he's more interested in concentrating his talents on observing the casual, playful conversations between his leads. His tight time frame allows the characters to say anything to one another, and topics ranging from politics to past romances to fears of the future flow with subtle finesse. The short time frame is also cruel, however, because beneath this love affair lies the painful reality that the two most likely will never see each other again and will be left only with memories--an idea Linklater drives home with an effective snapshot conclusion.

Hardly the trite Gen-X bitch session that many '90s films using this approach become, the film feels more like a Bresson or Rohmer piece, containing sharp perceptions--and flawed humans rather than stereotypes. The protagonists' frank revelations and heated exchanges flow in a stream-of-consciousness style, and its no accident that Linklater set the film in Vienna, where Freud invented and practiced psychotherapy. --! Dave McCoyTHIS PRODUCT COMES BRAND NEW AND SEALED WHICH CONTAINS THE MOVIE BEFORE SUNSET/ BEFORE SUNRISE. GREAT COLLECTIONStudio: Warner Home Video Release Date: 11/09/2010This romantic, witty, and ultimately poignant glimpse at two strangers (Ethan Hawke and Julie Delpy) who share thoughts, affections, and past experiences during one 14-hour tryst in Vienna somehow remains writer/director Richard Linklater's (Dazed and Confused, Slacker) most overlooked gem. Delpy, a stunning, low-key Parisian, meets the stammering American Hawke, as the two share a Eurorail seat--she's starting school in Paris, he's finishing a vacation. Their mutual attraction leads to an awkward meeting (beautifully played by each performer), and Hawke suggests that Delpy spend his remaining 14 hours in Vienna with him.

Typically, this skeleton is as much plot as Linklater provides; as usual, he's more interested in concentrating his talents on observing the casual, playful conve! rsations between his leads. His tight time frame allows the ch! aracters to say anything to one another, and topics ranging from politics to past romances to fears of the future flow with subtle finesse. The short time frame is also cruel, however, because beneath this love affair lies the painful reality that the two most likely will never see each other again and will be left only with memories--an idea Linklater drives home with an effective snapshot conclusion.

Hardly the trite Gen-X bitch session that many '90s films using this approach become, the film feels more like a Bresson or Rohmer piece, containing sharp perceptions--and flawed humans rather than stereotypes. The protagonists' frank revelations and heated exchanges flow in a stream-of-consciousness style, and its no accident that Linklater set the film in Vienna, where Freud invented and practiced psychotherapy. --Dave McCoy

Hatchet (Unrated Director's Cut) [Blu-ray]

• HATCHET BLU-RAY (BLU-RAY DISC)

Studio: Mpi Home Video Release Date: 02/01/2011 Rating: NrThere's probably no better visceral creep-out than a close-up eye gouging (just ask Luis Buñuel). Director Adam Green learned this well by using the old thumb-in-socket shot as the climax of his 2006 cult hit Hatchet, and he repeats it as the opener of Hatchet II. This micro-budget sequel picks up just as the original ends, with the aforementioned eye still belonging to the deformed swamp monster Victor Crowley (again played by ace stuntman and Friday the 13th alumni Kane Hodder). The thumb belongs to demure Marybeth (Danielle Harris), who turns out to be the sole survivor of the first film's tour-boat cruise through Louisiana's most disgusting swamp. She escapes Crowley's one-eyed clutches and finds her way back to New Orleans and the lair of voodoo conman Reverend Zombie (Tony To! dd, of Candyman fame), where a posse of redneck morons is quickly assembled to return to the swamp and squash the innards and legend of Victor Crowley for good.

All this Victor Crowley and innards-squashing business will be familiar to fans of Hatchet, of which there are legions. Indeed, it feels as though Green has made Hatchet II as a love letter to them, raising the bloody-disgusting body count and creative means of murder--outboard motor, super-size chainsaw, belt sander--strictly to satisfy an urge felt only by the supremely devoted. Billed as an unrated director's cut, the DVD version will surely send them swooning with even more latex guts and buckets of Kool-Aid-colored blood than they might remember from midnight theatrical shows. Even the commentary tracks and making-of documentary are filled with backslaps dedicated to the exclusive Hatchet groupie club. Green is intentionally riffing on slasher films not only with the comic dialo! gue and dopey characters, but also by employing icons of the g! enre as actors. In addition to Hodder and Todd, Tom Holland, director of fanboy favorites Fright Night and Child's Play, turns up in another key role. Unfortunately, Green's sense of insider humor and commitment to a limited demographic seems to have clouded what could have been a more interesting movie. But you're probably not watching Hatchet II to see an interesting movie. You're watching to see a giddy homage to the glory days of practical gore effects and enjoy the goofy fun of howling at senseless characters that lose their heads and countless other body parts in ever more creative ways. --Ted FryStudio: Mpi Home Video Release Date: 02/01/2011 Rating: NrThere's probably no better visceral creep-out than a close-up eye gouging (just ask Luis Buñuel). Director Adam Green learned this well by using the old thumb-in-socket shot as the climax of his 2006 cult hit Hatchet, and he repeats it as the opener of Hatchet II. This micro-budget s! equel picks up just as the original ends, with the aforementioned eye still belonging to the deformed swamp monster Victor Crowley (again played by ace stuntman and Friday the 13th alumni Kane Hodder). The thumb belongs to demure Marybeth (Danielle Harris), who turns out to be the sole survivor of the first film's tour-boat cruise through Louisiana's most disgusting swamp. She escapes Crowley's one-eyed clutches and finds her way back to New Orleans and the lair of voodoo conman Reverend Zombie (Tony Todd, of Candyman fame), where a posse of redneck morons is quickly assembled to return to the swamp and squash the innards and legend of Victor Crowley for good.

All this Victor Crowley and innards-squashing business will be familiar to fans of Hatchet, of which there are legions. Indeed, it feels as though Green has made Hatchet II as a love letter to them, raising the bloody-disgusting body count and creative means of murder--outboard motor, ! super-size chainsaw, belt sander--strictly to satisfy an urge ! felt onl y by the supremely devoted. Billed as an unrated director's cut, the DVD version will surely send them swooning with even more latex guts and buckets of Kool-Aid-colored blood than they might remember from midnight theatrical shows. Even the commentary tracks and making-of documentary are filled with backslaps dedicated to the exclusive Hatchet groupie club. Green is intentionally riffing on slasher films not only with the comic dialogue and dopey characters, but also by employing icons of the genre as actors. In addition to Hodder and Todd, Tom Holland, director of fanboy favorites Fright Night and Child's Play, turns up in another key role. Unfortunately, Green's sense of insider humor and commitment to a limited demographic seems to have clouded what could have been a more interesting movie. But you're probably not watching Hatchet II to see an interesting movie. You're watching to see a giddy homage to the glory days of practical gore effects ! and enjoy the goofy fun of howling at senseless characters that lose their heads and countless other body parts in ever more creative ways. --Ted FryGet ready for one of the most talked-about, red- blooded American horror movies of the past 20 years: When a group of New Orleans tourists take a cheesy haunted swamp tour, they slam face-first into the local legend of deformed madman Victor Crowley. What follows is a psycho spree of seat-jumping scares, eye- popping nudity, skull-splitting mayhem and beyond. Joel David Moore (DODGEBALL), Deon Richmond (SCREAM 3) and Mercedes McNab (BUFFY THE VAMPIRE SLAYER) star â€" along with horror icons Tony ‘Candyman’ Todd, Robert ‘Freddy Krueger’ Englund and Kane ‘Jason’ Hodder â€" in this screamingly funny carnage classic that Fangoria hails as “a no-hold-barred homage to the days when slasher films were at their reddest and wettest!”Adam Green's Hatchet is a goofy, gory gas that pays tribute to the slasher ! boom of the 1980s by placing more hapless teens in the path of! an inde structible maniac. Said killer is Victor Crowley (Kane Hodder, Jason in many of the later Friday the 13th entries), a deformed Louisiana swamp dweller who returns from an apparent fiery death to lay waste to a mixed bag of tourists and Mardi Gras revelers who've wandered into his turf on a "haunted swamp" tour. Hatchet doesn't exactly surpass the movies it's spoofing; Green's characters are dopey ciphers, and Crowley's indiscriminate killing spree negates his sympathetic origins. But the dialogue is glib and the performances funny (especially Parry Shen as the tour's unlikely guide and Joel David Moore as the lovelorn hero), and '80s horror aficionados will appreciate John Carl Buechler's outrageously gross effects (which get more screen time in this unrated cut). There are also cameos by genre vets Robert Englund and Tony Todd, as well as Joshua Leonard from The Blair Witch Project. The widescreen DVD includes commentary by Green and several of his play! ers, as well as featurettes on the making of the film, its villain and his elaborate makeup, and a scene breakdown of one of the film's most jaw-dropping effects. A gag reel and a conversation between Green and Twisted Sister frontman and horror fan Dee Snider rounds out the commentary. -- Paul GaitaStudio: Tcfhe/anchor Bay/starz Release Date: 09/07/2010 Run time: 84 minutes Rating: NrAdam Green's Hatchet is a goofy, gory gas that pays tribute to the slasher boom of the 1980s by placing more hapless teens in the path of an indestructible maniac. Said killer is Victor Crowley (Kane Hodder, Jason in many of the later Friday the 13th entries), a deformed Louisiana swamp dweller who returns from an apparent fiery death to lay waste to a mixed bag of tourists and Mardi Gras revelers who've wandered into his turf on a "haunted swamp" tour. Hatchet doesn't exactly surpass the movies it's spoofing; Green's characters are dopey ciphers, and Crowley's i! ndiscriminate killing spree negates his sympathetic origins. B! ut the d ialogue is glib and the performances funny (especially Parry Shen as the tour's unlikely guide and Joel David Moore as the lovelorn hero), and '80s horror aficionados will appreciate John Carl Buechler's outrageously gross effects (which get more screen time in this unrated cut). There are also cameos by genre vets Robert Englund and Tony Todd, as well as Joshua Leonard from The Blair Witch Project. The widescreen DVD includes commentary by Green and several of his players, as well as featurettes on the making of the film, its villain and his elaborate makeup, and a scene breakdown of one of the film's most jaw-dropping effects. A gag reel and a conversation between Green and Twisted Sister frontman and horror fan Dee Snider rounds out the commentary. -- Paul Gaita

Be Kind Rewind

• Experience the antics of two outcasts, Jack Black and Mos Def, as they attempt to save the local video store in Be Kind Rewind, an outrageous and offbeat comedy from Academy Award-winning writer/director Michel Gondry. Amateur film director Mike must find a way to save the business after his magnetized friend, Jerry, erases every movie in the store. Using an outdated video camera and their own spe

Experience the antics of two outcasts, Jack Black and Mos Def, as they attempt to save the local video store in Be Kind Rewind, an outrageous and offbeat comedy from Academy Award-winning writer/director Michel Gondry. Amateur film director Mike must find a way to save the business after his magnetized friend, Jerry, erases every movie in the store. Using an outdated video camera and their own special effects, the two embark on an adventure to remake all of the movies, from Ghostbusters to Driving M! iss Daisy, turning the two town misfits into local celebrities.A daffy, adorable, and very funny celebration of DIY spirit, Be Kind Rewind stars Mos Def (The Hitchhiker's Guide to the Galaxy) as Mike, a clerk at a failing video store in a rundown New Jersey neighborhood. When his friend Jerry (Jack Black), who's been magnetized in a power station accident, wipes all of the videotapes blank, the two of them decide to recreate the movies themselves rather than face the store's owner (Danny Glover). The pure charm of Be Kind Rewind can't be captured in that spare plot synopsis. The blend of the movie's great cast (which also includes Mia Farrow, Melonie Diaz of American Son, and Sigourney Weaver) and pitch-perfect writing and direction from writer-director Michel Gondry (director of Eternal Sunshine of the Spotless Mind, writer-director of The Science of Sleep) culminates in a truly delightful movie--sweet without being saccharine, ric! hly comic without irony or sarcasm (which, given the presence ! of Black , is surprising), sentimental without losing sight of the hard edges of life. Mos Def turns in a standout performance, deeply sympathetic without a moment of grandstanding. An absolutely winning film. --Bret Fetzer

Humpday

• It s been a decade since Ben (Duplass) and Andrew (Leonard) were the bad boys of their college campus. Ben has settled down and found a job, wife, and home. Andrew took the alternate route as a vagabond artist, skipping the globe from Chiapas to Cambodia. When Andrew shows up unannounced on Ben s doorstep, they easily fall back into their old dynamic of macho one-upmanship. Late into the night at

It's been a decade since Ben (Duplass) and Andrew (Leonard)
were college bad boys. Ben is living contently with a good job and a great wife, until his old buddy Andrew shows up on his doorstep late one night. Andrew, who lives as a vagabond artist, invites Ben out to a wild party. Excessive drinking
combined with the irrational need to oneup each other, leads to a mutual dare that locks them into entering an
amateur porn contest together.A bromantic comedy par excellence, Humpday push! es the concept of male bonding and male competition (so often intertwined) to its end point. Two old buddies, Ben (Mark Duplass) and Andrew (Joshua Leonard), reunite after a few years' time. Mark is living the bourgeois life in Seattle, with a home, a wife (Alycia Delmore), and a responsible job. Andrew's just blown in from vagabonding around Mexico, and his bohemian cred is as thick as his beard. When the buds drunkenly vow to participate in a local amateur porn-movie contest with themselves as stars, the stage is set for a game of staredown: neither guy wants to be the first to blink and admit he isn't quite open-minded or free-swinging enough for the stunt. (One large roadblock: Ben needs to actually convey the information about the film project to his wife, a dilemma that leads to some of the movie's funniest scenes.) Director Lynn Shelton works in an improvisatory style, figuring out the dialogue with the actors and creating a loose, frowzy atmosphere within scenes. Th! at sense of verisimilitude helps sell the whopper of a premise! , but wh at's even more impressive is Shelton's laser-like sense of male insecurity and rivalry (also on view in her previous picture, My Effortless Brilliance). Duplass (from The Puffy Chair) and Leonard (a Blair Witch trekker) play this to the hilt, particularly in the gloriously uncomfortable climatic scene, when push, shall we say, is going to have to come to shove. Humpday was a Sundance breakout in 2009, coming out of nowhere (i.e., Seattle, Shelton's home base) and snagging a summer release. And why not? If the specific plot isn't exactly a universal experience, the movie's underlying anxieties certainly are. --Robert Horton

Confessions of a Teenage Drama Queen

• From the studio that brought you the smash hits FREAKY FRIDAY and THE PRINCESS DIARIES, CONFESSIONS OF A TEENAGE DRAMA QUEEN stars Lindsay Lohan (FREAKY FRIDAY) in a hip and hilarious coming-of-age comedy for the whole family! When the always dramatic Lola (Lohan) and her family move from the center of everything in New York City to the center of a cultural wasteland in suburban New Jersey, she fe

From the studio that brought you the smash hits FREAKY FRIDAY and THE PRINCESS DIARIES, CONFESSIONS OF A TEENAGE DRAMA QUEEN stars Lindsay Lohan (FREAKY FRIDAY) in a hip and hilarious coming-of-age comedy for the whole family! When the always dramatic Lola (Lohan) and her family move from the center of everything in New York City to the center of a cultural wasteland in suburban New Jersey, she feels her life is simply not worth living! But no matter who or what gets in the way, Lola won't give up o! n her life's ambition: to be a star! In a crowd-pleasing movie treat bursting with music, dance, and excitement, Lola's fun-filled adventure won't be glamorous or easy, but it might just show her that real life could exceed even her wildest dreams!Tucked into the middle of Confessions of a Teenage Drama Queen is a charming sequence in which two girls from New Jersey (Linsay Lohan and Alison Pill) try to go to a rock concert in New York and have their illusions broken, then restored, and then broken, just a bit, again. Lola (Lohan) yearns for glory by playing the lead in the high school play and getting to meet the lead singer of a band called Sidarthur. Despite the spiteful efforts of a popular girl, Lola gets everything she wants without much of a struggle. Most of the movie takes place in a glitzy but flavorless high-school world with glossy teenagers dressed like a less discriminating Christina Aguilera. Pill (Pieces of April) shines in the thankless role o! f the geeky best friend. Also featuring Glenne Headley (Dic! k Tracy< /I>) and Carol Kane (Office Killer). --Bret Fetzer

Dan in Real Life

• Steve Carell (THE 40-YEAR-OLD VIRGIN, TV's THE OFFICE), Hollywood's leading funnyman, stars in the hilarious comedy that's bursting with charm -- a movie you'll watch again and again. Advice columnist Dan Burns (Carell) is an expert on relationships, but somehow struggles to succeed as a brother, a son and a single parent to three precocious daughters. Things get even more complica

n/aSteve Carell’s best film performance to date can be found in the fitfully engaging Dan In Real Life, where his long-suffering persona suits a character who lets his long-dormant hopes rise for a moment, only to be shot down again. Carell plays Dan Burns, a newspaper columnist who writes about family issues and relationships. As a widower with three growing girls to raise, however, the difference between Dan’s printed wisdom and his struggles with fatherhood and loneliness is often vast. He’s put to ! a severe test when he packs up the kids for a cabin holiday with his parents and siblings, then falls for the exotic, if elusive, Marie (Juliette Binoche) during a solo excursion to a bookstore. Stirred by a woman for the first time since his late wife, Dan is shocked to find that Marie is actually dating his brother Mitch (Dane Cook), and that she’ll be spending the vacation with him in the midst of his family. From that point, the script, co-written by director Peter Hedges (Pieces of April), pretty much becomes a parade of difficult circumstances under which both Dan and Marie have to keep their attraction to one another secret. Certain scenes work better than others, but there is an overall monotony to the movie that isn’t helped by a lack of onscreen chemistry between Binoche and Carell. Both actors are fine on their own terms, but whatever is supposed to be clicking between Marie and Dan isn’t compelling enough to make one truly care that they get togethe! r somehow. Still, this is a film with plenty of moments to lik! e, espec ially when Carell gets to broaden his previous range of emotions in a movie. --Tom Keogh

Aqua Teen Hunger Force Colon Movie Film for Theaters for DVD

• The Aqua Teen Hunger Force movie establishes the origins of the Aqua Teens and attempts to explain the back story to some age-old mysteries that have surrounded the Aqua Teens. Or does it? No one really knowsRunning Time: 166 min. Format: DVD MOVIE Genre: COMEDY Rating: R Age: 053939791921 UPC: 053939791921 Manufacturer No: T7919

The Aqua Teen Hunger Force movie establishes the origins of the Aqua Teens and attempts to explain the back story to some age-old mysteries that have surrounded the Aqua Teens. Or does it? No one really knows

DVD Features:
Alternate endings
Deleted Scenes
Featurette
Music Video
Other
Photo gallery
Theatrical Trailer

Fans of Cartoon Network’s Aqua Teen Hunger Force series (part of the cable channel’s Adult Swim programming) know what they’re in for with this feature! -length extension of the nearly-indescribable animated show. Set in a rundown, Jersey suburb, Aqua Teen concerns the misadventures of three human-size characters who happen to be fast food refuse: the crude Master Shake, a discarded milkshake in a cup similar to those from McDonalds; skeptical Frylock, a flying, cardboard box of french fries; and the personable Meatwad, a piece of expired, red beef of unknown origin. Together, they go in search of a missing piece of an exercise machine that happens to be more than an exercise machine, placing them on a collision course with the likes of Oglethorpe and Emory, a pair of jagged, ridiculous creatures from the future who travel with a robot companion claiming to be the Ghost of Christmas Past. They also encounter Dr. Weird, a mad scientist given to disguises and who seeks revenge against the Hunger Force; McPee Pants, a rapping spider who wears a shower cap and diaper; and the hilarious Ignignokt and Err, two-dimensional ! villains from the ancient days of pokey, Atari video games. Da! ve Willi s and Matt Maiellaro, series creators and writers-directors on Aqua Teen Hunger Force Colon Movie Film for Theaters, are wildly entertaining class clowns, but they expect the rest of us to follow them into their surreal world of postmodern animated nuttiness. The rewards, however, are plentiful. --Tom Keogh