Sunday, November 27, 2011

The Order - From Matthew Barney's Cremaster Cycle 3

Amusement [Blu-ray]

  • Tabitha. Shelby. Lisa. They're longtime friends on separate life paths. But they share a horrific destination when a seemingly innocent incident from their school days comes back to terrify them. Something - someone - wants payback: warped vengeance. mind-games vengeance.taunting, shredding, slashing vengeance. Inside a stone-walled chamber of prison cells and mechanisms of doom, the three women
Tabitha. Shelby. Lisa. Theyre longtime friends on separate life paths. But they share a horrific destination when a seemingly innocent incident from their school days comes back to terrify them. Something someone wants payback: warped vengeance…mind-games vengeance…taunting, shredding, slashing vengeance. Inside a stonewalled chamber of prison cells and mechanisms of doom, the three women and other victims face a fierce fight to survive. Who lives? Who dies? Its all for someones Amusement. From sc! reenwriter Jake Wade Wall (The Hitcher) and director John Simpson (Freeze Frame) comes a new film foray into horror. Turn down the lights. Turn up the fear.Amusement opens with a too-long scene involving a girl named Shelby’s (Laura Breckenridge) reluctance to join a trucking convoy that her boyfriend behind the wheel is for some reason totally dedicated to. One can guess if they ever return from this fateful road trip. From here, the film splinters into three more parts, focusing on Shelby’s childhood friends, Lisa (Jessica Lucas) and Tabitha (Katheryn Winnick), and finally, a serial killer who aims to ensnare them all because they didn’t laugh at his animal-torturing diorama in grade school. The killer, a brainiac who sports rubber apron, gloves, and goggles for his sick enterprises, operates on the premise that his killings are funny, and cackles ring throughout the film. There is not a tremendous amount of gore in Amusement, as it focuses on what lit! tle suspense it manages, as citizens and FBI agents alike fail! to catc h the crafty villain. Perhaps the most notable aspect to this film is the mysterious criminal ringleader, a clown doll, who appears midway through as Tabitha tries to babysit. Furthering Stephen King’s It tradition, this movie gets slightly better when the girls enter this evil clown’s territory, a bedroom packed with clown toys. However, the clown and his clown posse are a bit non sequitur, and the entire film feels confused and patched together. Return to Child’s Play if you really want to delve into evil toys and the young boys who play with them. --Trinie DaltonTabitha. Shelby. Lisa. They're longtime friends on separate life paths. But they share a horrific destination when a seemingly innocent incident from their school days comes back to terrify them. Something - someone - wants payback: warped vengeance... mind-games vengeance...taunting, shredding, slashing vengeance. Inside a stone-walled chamber of prison cells and mechanisms of doom, the! three women and other victims face a fierce fight to survive. Who lives? Who dies? It's all for someone's Amusement. From screenwriter Jake Wade Wall (The Hitcher) and director John Simpson (Freeze Frame) comes a new film foray into horror. Turn down the lights. Turn up the fear.Amusement opens with a too-long scene involving a girl named Shelby’s (Laura Breckenridge) reluctance to join a trucking convoy that her boyfriend behind the wheel is for some reason totally dedicated to. One can guess if they ever return from this fateful road trip. From here, the film splinters into three more parts, focusing on Shelby’s childhood friends, Lisa (Jessica Lucas) and Tabitha (Katheryn Winnick), and finally, a serial killer who aims to ensnare them all because they didn’t laugh at his animal-torturing diorama in grade school. The killer, a brainiac who sports rubber apron, gloves, and goggles for his sick enterprises, operates on the premise that his killings are funny, ! and cackles ring throughout the film. There is not a tremendou! s amount of gore in Amusement, as it focuses on what little suspense it manages, as citizens and FBI agents alike fail to catch the crafty villain. Perhaps the most notable aspect to this film is the mysterious criminal ringleader, a clown doll, who appears midway through as Tabitha tries to babysit. Furthering Stephen King’s It tradition, this movie gets slightly better when the girls enter this evil clown’s territory, a bedroom packed with clown toys. However, the clown and his clown posse are a bit non sequitur, and the entire film feels confused and patched together. Return to Child’s Play if you really want to delve into evil toys and the young boys who play with them. --Trinie Dalton

The Astronaut Farmer

  • All systems are "Go" for Charles Farmer. He's faced bank foreclosure, neighborhood naysayers and a government alarmed by his huge purchase of high-grade fuel, but now he's ready to blast into space inside the homemade rocket he built in his barn. Just be home in time for dinner, Charlie.Billy Bob Thornton portrays Charlie in this charmer about chasing dreams.and about what it means to be a family
All systems are "Go" for Charles Farmer. He's faced bank foreclosure, neighborhood naysayers and a government alarmed by his huge purchase of high-grade fuel, but now he's ready to blast into space inside the homemade rocket he built in his barn. Just be home in time for dinner, Charlie. Billy Bob Thornton portrays Charlie in this charmer about chasing dreams...and about what it means to be a family. 10,000 pounds of rocket fuel alone can't lift Charlie into the heavens. He needs a launch/recovery cr! ew, and he has one of the best: his wife (Virginia Madsen) and children, dreamers all. They have liftoff. Our spirits have uplift. Gravity cannot hold down our dreams. The Astronaut Farmer is that kind of movie.

DVD Features:
Featurette
Outtakes

If you can give The Astronaut Farmer the big, bounding leap of faith it requires, you'll probably enjoy this good-natured film about the importance of holding on to your dreams. The title character (and the dreamer in question) is Charlie Farmer (Billy Bob Thornton), a Texas ranch owner and former aeronautics engineer who's got a homemade rocket in his barn and a dream to blast into space. Even though Charlie's deeply in debt and threatened with foreclosure, his wife (Virginia Madsen) and kids are deeply supportive of Charlie's Earth-orbit mission, even when he attracts the glaring attention of a seasoned Air Force colonel (played by Bruce Willis, in an uncredited role), the FAA, the FBI, a! nd the national media. "If we don't have our dreams, we have n! othing," says Charlie at a particularly desperate impasse, and this loopy, offbeat, and unabashedly sentimental drama embraces that message with disarming sincerity.

Suspension of disbelief is a challenge when the movie glosses over so many of its logistical details (like, where does one buy an old NASA space capsule?), and in trying for a kind of Capra-esque, eccentrically Western spin on the American dream, the Polish twins--director Michael and cowriter/actor Mark (making their mainstream debut after such indie hits as Twin Falls, Idaho and Northfork)--are only marginally successful in making Charlie's ambition genuinely believable. The film works much better as a kind of post space-age fable for families, and it's just involving enough to make its climax emotionally rewarding, mostly because Thornton, Madsen, and their costars (including Bruce Dern and Tim Blake Nelson) handle the delicate material with the earnestness it needs to be marginally convincing. Elton! John's "Rocket Man" is predictably heard over the closing credits (accordingly, Charlie's launch-time is "zero hours, nine a.m."), and at a time when several adventurous entrepreneurs (including Amazon.com founder Jeff Bezos) are gradually developing a civilian space-flight industry, The Astronaut Farmer is an admirable yet forgivably flawed reminder that we should never stop reaching for the stars. --Jeff Shannon

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CAPE OF GOOD HOPE is a colorful and vibrant mosaic of love and hope. As upbeat and heartwarming as the blockbuster hit LOVE ACTUALLY, this film beautifully connects a number of storylines, all revolving around a Cape Town animal rescue shelter. Its founder, Kate, who seems to relate better to dogs than to people, is involved with a married man, blinding her to the romantic interest of a kind veterinarian. Her receptionist, Sharifa, desperately wants to have a child and is taking extraordinary steps to do so. Meanwhile, Jean ! Claude, the shelter’s handyman, finds himself torn between his love for a single mother and his desire to immigrate to Canada.

Filmed entirely on location in the Cape Town coastal community of Hout Bay, CAPE OF GOOD HOPE is populated with likable characters you come to care about â€" ordinary people who want to improve their lives. As unexpected plot twists demonstrate, this is possible only by taking a chance. An original romantic comedy, CAPE OF GOOD HOPE will win you over and lift your spirits.

Watch the trailer: http://www.capemovie.comThe 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of origi! nal 18th century manuscripts are available in print, making th! em highl y accessible to libraries, undergraduate students, and independent scholars.
Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library

T095401

With a half-title.

London : printed for J. Nourse, 1777. [4],301,[1]p.,plate ; 8°Cape of Good Hope is an uplifting collection of engaging mel! odies and lush arrangements of piano-featured instrumentals. Features guest artist appearances by David Sanborn, Stephen Bishop, Dan Fogelberg, Chris Botti, Richard Elliot and many others. This is the follow-up to Jim's debut album, "Northern Seascape".A gripping account of the life and adventures of an old traveller of yester years in the South African Lands. Exploits and crusades in the South cape waters, make part of this story, facing death, together with confrontations inland in Archipelago and Forests encountering natives, with afflictions from Humans and Nature. A Must read for the avid traveller and adventurer. Get immersed nowA gripping account of the life and adventures of an old traveller of yester years in the South African Lands. Exploits and crusades in the South cape waters, make part of this story, facing death, together with confrontations inland in Archipelago and Forests encountering natives, with afflictions from Humans and Nature. A Must read for the ! avid traveller and adventurer. Get immersed nowCape Peninsula ! is locat ed the southernmost tip of the African continent and is famous throughout the world.This area of almost eight thousand hectares and coastline of around forty kilometres is abundant with nature, and the sky adds that extra touch of inspiration. In all its natural splendour, the rocky landscape of Cape Point is one of the peninsula's main attractions.The reservation's wildlife is an active part of the scenery as it is a safe sanctuary for mountain zebra, antelope, goat and deer. Shoals of tuna, dolphin, seal and even whale live in the raging sea and more than a hundred and sixty species of bird indicate the unique quality of this natural habitat. Smitswinkelbay is known for its Bear Baboons that consume roots, flowers, insects and also seafood.One of the Cape's more amusing inhabitants is the Klippschliefer which is also to be found throughout most of Africa. The magnificent scenery of Cape Peninsula is totally captivating and leaves an indelible impression in the memory o! f all those who experience it.

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  • Casino Royale (Two-Disc Collector's Edition + BD Live) [Blu-ray]

    • Condition: New
    • Format: Blu-ray
    • AC-3; Collector's Edition; Color; Dolby; Dubbed; Subtitled; Widescreen
    Casino Royale introduces JAMES BOND before he holds his license to kill. But Bond is no less dangerous, and with two professional assassinations in quick succession, he is elevated to "00" status. "M" (Judi Dench), head of the British Secret Service, sends the newly-promoted 007 on his first mission that takes him to Madagascar, the Bahamas and eventually leads him to Montenegro to face Le Chiffre, a ruthless financier under threat from his terrorist clientele, who is attempting to restore his funds in a high-stakes poker game at the Casino Royale. "M" places Bond under the watchful eye of the Treasury official Vesper Lynd. At first skeptical of what value Vesper can provide, Bond's interest in her deepens as they brave danger together. Le Chiffre's cunning and cruelt! y come to bear on them both in a way Bond could never imagine, and he learns his most important lesson: Trust no one.The most successful invigoration of a cinematic franchise since Batman Begins, Casino Royale offers a new Bond identity. Based on the Ian Fleming novel that introduced Agent 007 into a Cold War world, Casino Royale is the most brutal and viscerally exciting James Bond film since Sean Connery left Her Majesty's Secret Service. Meet the new Bond; not the same as the old Bond. Daniel Craig gives a galvanizing performance as the freshly minted double-0 agent. Suave, yes, but also a "blunt instrument," reckless, and possessed with an ego that compromises his judgment during his first mission to root out the mastermind behind an operation that funds international terrorists. In classic Bond film tradition, his global itinerary takes him to far-flung locales, including Uganda, Madagascar, the Bahamas (that's more like it), and Montenegro, where he is p! itted against his nemesis in a poker game, with hundreds of mi! llions i n the pot. The stakes get even higher when Bond lets down his "armor" and falls in love with Vesper (Eva Green), the ravishing banker's representative fronting him the money.


    For longtime fans of the franchise, Casino Royale offers some retro kicks. Bond wins his iconic Astin-Martin at the gaming table, and when a bartender asks if he wants his martini "shaken or stirred," he disdainfully replies, "Do I look like I give a damn?" There's no Moneypenny or "Q," but Dame Judi Dench is back as the exasperated M, who one senses, admires Bond's "bloody cheek." A Bond film is only as good as its villain, and Mads Mikkelsen as Le Chiffre, who weeps blood, is a siniste! r dandy. From its punishing violence and virtuoso action sequences to its romance, Casino Royale is a Bond film that, in the words of one character, makes you feel it, particularly during an excruciating torture sequence. Double-0s, Bond observes early on, "have a short life expectancy." But with Craig, there is new life in the old franchise yet, as well as genuine anticipation for the next one when, at last, the signature James Bond theme kicks in following the best last line ever in any Bond film. To quote Goldie Hawn in Private Benjamin, now I know what I've been faking all these years. --Donald Liebenson

    Stills from Casino Royale (click for larger image)










    The Order - From Matthew Barney's Cremaster Cycle 3

    Casshern Sins: Part 1

    • Salvation is the ruin of man and machine.Casshern a cybernetic assassin with no memory of his past awakens in a corrosive wasteland where nothing survives for long. A plague known as the Ruin sweeps across this once-vibrant world, reducing everything in its path to rubble and scattering any chance for salvation. Robots and humans alike or what little remains of them seek vengeance against Casshern
    After 50 years of bitter warfare in the late 21st century, a new crisis looms. A threat to the future and the overall existence of mankind. But, there is hope a savior will emerge… Casshern. Casshern is an action-packed, sci-fi thriller that blends Japanamation and manga-inspired live action to create a new hybrid form of filmmaking that is both visually stunning and thought provoking.Kiriya Kazuaki’s spectacular Casshern is an impressive marriage of live action drama and animated effe! cts that, taken together, look like something both very old and very new in cinema. A wild, science fiction tale with an echo or two of Bladerunner, Casshern is set in a dystopian future following a 50-year-long war between Europe and Asia. The latter wins, calling the resulting Eurasia the "Eastern Federation," but the high-tech weapons used in the battle have affected the whole of mankind through widespread devastation and illness. A geneticist whose son, Tetsuya (Yusuke Iseya), has gone off to fight terrorists, promises the military his work on "neo cells" will result in the cultivation of spare human parts for the wounded and afflicted. But two unexpected results occur: a small band of superhuman mutants rise up out of the scientist’s chemical muck, and Tetsuya--killed in battle--is brought back to life with his own superpowers. While the mutants rise up against the human race, Tetsuya, now known as "Casshern," takes them on against a fascinating psychol! ogical backdrop with Oedipal overtones. The film’s look of h! yperreal , pop culture pastiche (in which action often evokes the look of 1930s movie serials blended with a whirl of dreamy, free-associating images) is reaching for the same thing as Sky Captain and the World of Tomorrow. But it is much grander in its effort. --Tom KeoghCasshern â€" a cybernetic assassin with no memory of his past â€" awakens in a corrosive wasteland where nothing survives for long. A plague known as the Ruin sweeps across this once-vibrant world, reducing everything in its path to rubble and scattering any chance for salvation. Robots and humans alike â€" or what little remains of them â€" seek vengeance against Casshern for the life he took and the role he played in their Ruin. A machine built to kill, Casshern murdered the last hope for this world, but now, lost in a future he does not recognize, he will fight to save the dying.Based on the classic Manga. Casshern is Anime meets the matrix in style.Casshern â€" a cybernetic assassin with no memory ! of his past â€" awakens in a corrosive wasteland where nothing survives for long. A plague known as the Ruin sweeps across this once-vibrant world, reducing everything in its path to rubble and scattering any chance for salvation. Robots and humans alike â€" or what little remains of them â€" seek vengeance against Casshern for the life he took and the role he played in their Ruin. A machine built to kill, Casshern murdered the last hope for this world, but now, lost in a future he does not recognize, he will fight to save the dying.Casshern Sins (2008) is a reboot of Tatsuo Yoshida's Casshan Robot Hunter (1973), which was adapted to an OAV in 1993 and a live-action feature in 2004. Sins contains almost nothing of the original story, in which cybernetic hero Casshan fought the robot-soldiers of the evil Braiking Boss in a postapocalyptic landscape. Casshern isn't sure if he's a robot, a human, or a cyber-combination. He has no memories of who he is or w! hat he's done, but everyone he meets insists he killed Luna, "! the Sun Named Moon." As a result, Earth is staggering to its end. All that remains are a few people and three types of robots: human-looking ones who express emotions; puppetlike semi-humans; and big, nasty warrior-bots. In every episode, Casshern performs gymnastic flips and spins as he pounds the evil robots into so much scrap metal. But all the robots are succumbing to "the Ruin," a sort of mechanical plague that causes them to crumble into rusty flakes. As Casshern roams the wastelands and ruined cities with his robot-dog Friender, he hears rumors that Luna may still exist---and any otaku worth their salt can guess which supporting character she'll turn out to be. Director Shigeyasu Yamauchi choreographs the fights scenes skillfully, using a combination of CG and drawn animation to present the acrobatic battles. But Casshern's amnesia means other characters deliver endless expository speeches, trying to untangle the needlessly complicated plot. (Rated TV MA: violence, vio! lence against women, grotesque imagery) --Charles Solomon

    (1. At the End of the World, 2. A World Replete with Death Throes, 3. To the Ends of Agony, 4. The Angel of Ruin, 5. The Man Who Killed the Sun Named Moon, 6. Reunited with Fate, 7. The Woman of the Tall Tower, 8. A Hymn of Hope, 9. The Flower That Blooms in the Valley of Ruin, 10. The Man Entrapped by the Past, 11. By One's Calling, 12. Turn the Time Lived to Color)

    Close to Home

    • Inia divided city, friendship isitheir last line of defense. In the nation of Israel, military service is compulsory for all citizens. Now an award-winning drama offers an in-depth look at young women's lives in the service. Dutiful Mirit (Naama Schender) is assigned to a street patrol with the rebellious Smadar (Smadar Sayar). Plunged into the simmering tensions of Jerusalem, they find the

    Bizarre, deranged, clever, and outrageously amusing--that's Close to Home. From the guy who keeps a Just Married sign on the back of his car to prevent getting speeding tickets, to the mom who installs a food court in the kitchen to keep the kids from whining about what's being served for dinner, to the students who are shrink-wrapped due to overcrowding at schools, John McPherson's quirky characters combined with his warped sense of humor help make the cartoon and the Close to Home 2012 Day-t! o-Day Calendar one of a kind. As an added bonus, each weekend page will feature an extra Close to Home cartoon on the back.

    Bizarre, deranged, clever, and outrageously amusing--that's Close to Home. From the guy who keeps a Just Married sign on the back of his car to prevent getting speeding tickets, to the mom who installs a food court in the kitchen to keep the kids from whining about what's being served for dinner, to the students who are shrink-wrapped due to overcrowding at schools, John McPherson's quirky characters combined with his warped sense of humor help make the cartoon and the Close to Home 2012 Day-to-Day Calendar one of a kind. As an added bonus, each weekend page will feature an extra Close to Home cartoon on the back.

    2011 debut full length from the Cincinnati, OH band. Despite a few struggles at the start, lately things have been constantly looking up for Close to Home, thanks to their mantra that is now the album ! name. Heading into recording, the band hooked up with Tom Denn! ey (form erly of A Day To Remember) to record demos, and the group instantly clicked. Denney signed on to produce. Andrew Wade (A Day To Remember, The Word Alive) was brought in to mix the album, and shortly after Close to Home signed to Artery Recordings. "Having this team together was literally a dream come true for us," said guitarist Josh Wells. It also helped the band create and develop their vision for the album, with Wells adding "It's basically the summary of our lives and who we are in pursuit of our dreams."Ferociously Close to Home delivers McPherson's trademark take on the absurdities of everyday life. To say that his solutions to these perplexing situations is 'out there' is an understatement. Consider Gina, who decides a branding iron will be the ideal memory aid for her birthday date-challenged husband. And poor Lanny, whose treadmill session is interrupted when he inadvertently triggers the health club's offensive odor alarm.

    McPherson has long walked the lin! e between grotesque and goofy. But somehow, his figures with big noses and bulging eyes connect with readers with a surefire magnetic precision. Whether it's health care or parenting, dating or car repairs, Close to Home delivers McPherson's warped world without fail.By the New York Times bestselling author of the Do It Yourself home renovation mysteries...

    4th book in the Savannah Martin romantic mystery series, following A Cutthroat Business, Hot Property, and Contract Pending, by bestselling author Jenna Bennett AKA Jennie Bentley.

    SYNOPSIS:

    Sometimes, trouble hits too close to home.

    Savannah's late. The kind of late that comes with midnight feedings and the pitter-patter of little feet. And while it's a circumstance that should make everyone happy - now she can finally settle down and marry Todd Satterfield, the way everyone's been hoping and praying! - it isn't Todd's baby. And Rafe Collier, whose baby it is, didn't si! gn on for fatherhood.

    Add in the murder of Savanna! h's sist er-in-law Sheila, the trial of Sheila's friend Marley, and the disappearance of Rafe's twelve year old son David - the kid he never knew he had - and things get complicated fast. And there is worse to come: When Rafe comes back to Nashville to help look for David, and learns that Savannah's pregnant, things do not work out the way Savannah hopes. In the end, she's left with nothing she wanted and a whole lot of trouble she didn't, and when she gets in over her head, Rafe's not there to save the day.

    ALSO IN THIS SERIES:

    A Cutthroat Business (May 2011)
    Hot Property (June 2011)
    Contract Pending (July 2011)
    Close to Home (September 2011)
    A Done Deal (December 2011)

    ABOUT THE AUTHOR:

    Jenna Bennett is the New York Times bestselling author of the Do It Yourself home renovation mysteries from Berkley Prime Crime - written as Jennie Bentley - as well as the Savannah Martin/Cutthroat Business mysteries written as Jenna! Bennett. A former Realtor® and home renovator, she makes her home in Nashville, Tennessee, with a husband, two boys, and a house full of pets.

    ALSO BY THIS AUTHOR:

    Fatal Fixer Upper, DIY-1 (November 2008) written as Jennie Bentley
    Spackled and Spooked (August 2009) written as Jennie Bentley
    Plaster and Poison (March 2010) written as Jennie Bentley
    Mortar and Murder (January 2011) written as Jennie Bentley
    Flipped Out (October 2011) written as Jennie Bentley


    By the New York Times bestselling author of the Do It Yourself home renovation mysteries...

    4th book in the Savannah Martin romantic mystery series, following A Cutthroat Business, Hot Property, and Contract Pending, by bestselling author Jenna Bennett AKA Jennie Bentley.

    SYNOPSIS:

    Sometimes, trouble hits too close to home.

    Savannah's late. The kind of late that comes with midnight feedings and the pitter-patter of little feet. And w! hile it's a circumstance that should make everyone happy - now! she can finally settle down and marry Todd Satterfield, the way everyone's been hoping and praying! - it isn't Todd's baby. And Rafe Collier, whose baby it is, didn't sign on for fatherhood.

    Add in the murder of Savannah's sister-in-law Sheila, the trial of Sheila's friend Marley, and the disappearance of Rafe's twelve year old son David - the kid he never knew he had - and things get complicated fast. And there is worse to come: When Rafe comes back to Nashville to help look for David, and learns that Savannah's pregnant, things do not work out the way Savannah hopes. In the end, she's left with nothing she wanted and a whole lot of trouble she didn't, and when she gets in over her head, Rafe's not there to save the day.

    ALSO IN THIS SERIES:

    A Cutthroat Business (May 2011)
    Hot Property (June 2011)
    Contract Pending (July 2011)
    Close to Home (September 2011)
    A Done Deal (December 2011)

    ABOUT THE AUTHOR:

    Jenna Bennett is the New York ! Times bestselling author of the Do It Yourself home renovation mysteries from Berkley Prime Crime - written as Jennie Bentley - as well as the Savannah Martin/Cutthroat Business mysteries written as Jenna Bennett. A former Realtor® and home renovator, she makes her home in Nashville, Tennessee, with a husband, two boys, and a house full of pets.

    ALSO BY THIS AUTHOR:

    Fatal Fixer Upper, DIY-1 (November 2008) written as Jennie Bentley
    Spackled and Spooked (August 2009) written as Jennie Bentley
    Plaster and Poison (March 2010) written as Jennie Bentley
    Mortar and Murder (January 2011) written as Jennie Bentley
    Flipped Out (October 2011) written as Jennie Bentley


    (Drama) Two young, different female soldiers patrol the anxious streets of Jerusalem, questioning Palestinians and looking for suicide bombers. The rebellious one finds the army demeaning; the controlled one is obedient. Under intense pressure, against a backdrop of any-minute-now ! terrorist attacks, a friendship takes hold and roles reverse.

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