Tuesday, November 8, 2011

Batman Beyond - Return of the Joker (Keepcase)

  • The greatest villain of all comes out of the past to threaten Batman, Bruce Wayne and all of Gotham City in Batman Beyond: Return of the Joker, the first feature-length Batman Beyond movie.The sleeker, deadlier and seemingly immortal Clown Prince of Crime is back with his own unique brand of havoc and mayhem. While trying to uncover the Joker's secrets, the new Batman, Terry McGinnis, discovers th
The greatest villain of all comes out of the past to threaten Batman, Bruce Wayne and all of Gotham City in Batman Beyond: Return of the Joker, the first feature-length Batman Beyond movie. The sleeker, deadlier and seemingly immortal Clown Prince of Crime is back with his own unique brand of havoc and mayhem. While trying to uncover the Joker's secrets, the new Batman, Terry McGinnis, discovers the greatest mystery in the life of the original Caped Crusader: What happened the night he fought! the Joker for the last time. When Bruce Wayne is almost killed in one of the Joker's latest attacks, Batman vows to avenge his mentor and put the Joker to rest forever. Get ready for heart-stomping action, awesome adventure and amazing revelations in Batman Beyond: Return of the Joker.Some diehard Batfans have been slow to warm to the animated series Batman Beyond even though it was created by the same team responsible for the excellent Batman cartoon of the early '90s. The Dark Knight should be a brooding avenger in a noir-nightmare Gotham City, the purists argue, not some smart-aleck teen four decades in the future, with jet packs, invisibility shields, and other sci-fi gizmos loaned him by an elderly Bruce Wayne (voiced, excellently as always, by Kevin Conroy, his stony bass given a raspy hint of old age), now confined to hobbling about on a cane and monitoring his protégé's activities from the Batcave. Between its respectful reexamination of the ! "tortured hero" mythos and its sleek, anime-inspired look, thi! s featur e-length movie should go a long way toward quieting their complaints. Of course, it doesn't hurt that they've brought back the most legendary figure in the Rogues Gallery (voiced by Mark Hamill, deliciously deranged), but exactly how and why the Joker has managed to turn up 40 years after his last meeting with Batman still as youthful and diabolical as ever is explained not only logically but terrifyingly as well. The secret behind his arrival is perhaps the saddest, grimmest twist any purported "kids' show" has dared to attempt. (Parents may well want to preview this tape before screening it for the very young.) Once again, Warner Brothers' cartoon Batman has outshone all the live-action films, never allowing the thrilling action set pieces or flashes of wry humor to drown out the drama, even tragedy, of the all-too-human superheroes. --Bruce ReidThe greatest villain of all comes out of the past to threaten Batman, Bruce Wayne and all of Gotham City in Batman ! Beyond: Return of the Joker, the first feature-length Batman Beyond movie. The sleeker, deadlier and seemingly immortal Clown Prince of Crime is back with his own unique brand of havoc and mayhem. While trying to uncover the Joker's secrets, the new Batman, Terry McGinnis, discovers the greatest mystery in the life of the original Caped Crusader: What happened the night he fought the Joker for the last time. When Bruce Wayne is almost killed in one of the Joker's latest attacks, Batman vows to avenge his mentor and put the Joker to rest forever. Get ready for heart-stomping action, awesome adventure and amazing revelations in Batman Beyond: Return of the Joker.Some diehard Batfans have been slow to warm to the animated series Batman Beyond even though it was created by the same team responsible for the excellent Batman cartoon of the early '90s. The Dark Knight should be a brooding avenger in a noir-nightmare Gotham City, the purists argue, not some smart-alec! k teen four decades in the future, with jet packs, invisibilit! y shield s, and other sci-fi gizmos loaned him by an elderly Bruce Wayne (voiced, excellently as always, by Kevin Conroy, his stony bass given a raspy hint of old age), now confined to hobbling about on a cane and monitoring his protégé's activities from the Batcave. Between its respectful reexamination of the "tortured hero" mythos and its sleek, anime-inspired look, this feature-length movie should go a long way toward quieting their complaints. Of course, it doesn't hurt that they've brought back the most legendary figure in the Rogues Gallery (voiced by Mark Hamill, deliciously deranged), but exactly how and why the Joker has managed to turn up 40 years after his last meeting with Batman still as youthful and diabolical as ever is explained not only logically but terrifyingly as well. The secret behind his arrival is perhaps the saddest, grimmest twist any purported "kids' show" has dared to attempt. (Parents may well want to preview this tape before screening it for the very y! oung.) Once again, Warner Brothers' cartoon Batman has outshone all the live-action films, never allowing the thrilling action set pieces or flashes of wry humor to drown out the drama, even tragedy, of the all-too-human superheroes. --Bruce Reid

Features include:

•MPAA Rating: PG-13
•Format: Blu-Ray
•Runtime: 75 minutes
Some diehard Batfans have been slow to warm to the animated series Batman Beyond even though it was created by the same team responsible for the excellent Batman cartoon of the early '90s. The Dark Knight should be a brooding avenger in a noir-nightmare Gotham City, the purists argue, not some smart-aleck teen four decades in the future, with jet packs, invisibility shields, and other sci-fi gizmos loaned him by an elderly Bruce Wayne (voiced, excellently as always, by Kevin Conroy, his stony bass given a raspy hint of old age), now confined to hobbling about on a cane and monitoring his! protégé's activities from the Batcave. Between its respectf! ul reexa mination of the "tortured hero" mythos and its sleek, anime-inspired look, this feature-length movie should go a long way toward quieting their complaints. Of course, it doesn't hurt that they've brought back the most legendary figure in the Rogues Gallery (voiced by Mark Hamill, deliciously deranged), but exactly how and why the Joker has managed to turn up 40 years after his last meeting with Batman still as youthful and diabolical as ever is explained not only logically but terrifyingly as well. The secret behind his arrival is perhaps the saddest, grimmest twist any purported "kids' show" has dared to attempt. (Parents may well want to preview this tape before screening it for the very young.) Once again, Warner Brothers' cartoon Batman has outshone all the live-action films, never allowing the thrilling action set pieces or flashes of wry humor to drown out the drama, even tragedy, of the all-too-human superheroes. --Bruce ReidThe greatest villain of all c! omes out of the past to threaten Batman, Bruce Wayne and all of Gotham City in Batman Beyond: Return of the Joker, the first feature-length Batman Beyond movie. The sleeker, deadlier and seemingly immortal Clown Prince of Crime is back with his own unique brand of havoc and mayhem. While trying to uncover the Joker's secrets, the new Batman, Terry McGinnis, discovers the greatest mystery in the life of the original Caped Crusader: What happened the night he fought the Joker for the last time. When Bruce Wayne is almost killed in one of the Joker's latest attacks, Batman vows to avenge his mentor and put the Joker to rest forever. Get ready for heart-stomping action, awesome adventure and amazing revelations in Batman Beyond: Return of the Joker.Some diehard Batfans have been slow to warm to the animated series Batman Beyond even though it was created by the same team responsible for the excellent Batman cartoon of the early '90s. The Dark Knight should be a br! ooding avenger in a noir-nightmare Gotham City, the purists ar! gue, not some smart-aleck teen four decades in the future, with jet packs, invisibility shields, and other sci-fi gizmos loaned him by an elderly Bruce Wayne (voiced, excellently as always, by Kevin Conroy, his stony bass given a raspy hint of old age), now confined to hobbling about on a cane and monitoring his protégé's activities from the Batcave. Between its respectful reexamination of the "tortured hero" mythos and its sleek, anime-inspired look, this feature-length movie should go a long way toward quieting their complaints. Of course, it doesn't hurt that they've brought back the most legendary figure in the Rogues Gallery (voiced by Mark Hamill, deliciously deranged), but exactly how and why the Joker has managed to turn up 40 years after his last meeting with Batman still as youthful and diabolical as ever is explained not only logically but terrifyingly as well. The secret behind his arrival is perhaps the saddest, grimmest twist any purported "kids' show" has dared to a! ttempt. (Parents may well want to preview this tape before screening it for the very young.) Once again, Warner Brothers' cartoon Batman has outshone all the live-action films, never allowing the thrilling action set pieces or flashes of wry humor to drown out the drama, even tragedy, of the all-too-human superheroes. --Bruce Reid

The Man with No Name Trilogy (A Fistful of Dollars / For a Few Dollars More / The Good, The Bad, and the Ugly) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Box set; Color; Dolby; DTS Surround Sound; Dubbed; Full Screen; Restored; Subtitled; Widescree
A Few Good Men presents the reader with 10 positive role models from the Bible. From Obedient Noah to Loyal Onesiphorous, these character sketches combine dramatic story-telling with challenging and insightful comment.

What kind of man do you want to be? Who do you admire? Rugged sportsmen, smooth film stars and wild rock musicians all compete for our admiration. But are these men the role models that we should aspire to be?

Solidly founded on biblical narrative, these chapters will challenge and inspire readers to examine the struggles and tempations of these biblical men who face the same struggles that men still face today.A Few Good Men presents the reader with 10 positive role models from the Bible. From Obedient Noah t! o Loyal Onesiphorous, these character sketches combine dramatic story-telling with challenging and insightful comment.

What kind of man do you want to be? Who do you admire? Rugged sportsmen, smooth film stars and wild rock musicians all compete for our admiration. But are these men the role models that we should aspire to be?

Solidly founded on biblical narrative, these chapters will challenge and inspire readers to examine the struggles and tempations of these biblical men who face the same struggles that men still face today.

Corporal Eric Armstrong is finally going to meet his sexy new pen pal in the flesh. Only, Eric already knows her...very, very well!

Corporal Eddie Cash has a reputation for living on the edge. Still, even he's worried about his next adventure--fatherhood.

Lieutenant Matt Guerrero has always been proud to serve his country. Only, this time it might cost him his marriage....

Captain Brian Justice loves being a Marine! , almost as much as he's starting to love Angela Mitchell. Too! bad he' s about to lose them both....

Drama / 14m, 1f / Int. This Broadway hit about the trial of two Marines for complicity in the death of a fellow Marine at Guantanamo Bay sizzles on stage. The Navy lawyer, a callow young man more interested in softball games than the case, expects a plea bargain and a cover up of what really happened. Prodded by a female member of his defense team, the lawyer eventually makes a valiant effort to defend his clients and, in so doing, puts the military mentality and the Marine code of honor on trial. "Enormously entertaining."-N.Y. Daily News "Plenty of wise cracking humor and suspense."-Time Magazine "Fresh and adroitly updated and conditioned to our time and socio-political climate."-NY Post

In this personal memoir, electrical engineer David Lundstrom recalls the heyday of early computing - the rise of Control Data out of the Univac division of Sperry Rand, such milestone computer systems as th! e Univac and the Naval Tactical Data System the exploits of CDC's top designer Seymour Cray, and the gradual corporate shift from the exciting and technically interesting world of computer design to internal politics and clumsy bureaucracy.David E. Lundstrom's career spanned 30 years with Sperry Rand Corp. (now a division of Unisys Corp.) and Control Data Corporation.

Few English football clubs can boast such a varied history as Brighton & Hove Albion. From FA Cup Finalists in 1983 to being within half an hour of crashing out of the Football League altogether in 1997, their supporters have experienced enough highs and lows to fill a Hollywood screenplay â€" including the explosive sale of the Goldstone Ground for retail development before a replacement had been found. It’s been a memorable if frequently bumpy ride, one featuring a cast of top players including Peter Ward, Steve Foster, Mark! Lawrenson, Gary Stevens, Brian Horton, Frank Worthington, Jim! my Case, Bobby Zamora, Danny Wilson, Michael Robinson, Dean Saunders and Joe Corrigan.

In ‘A Few Good Men’, writer and supporter Spencer Vignes selects his all-time Brighton & Hove Albion ‘Dream Team’ from an array of potential candidates. The chosen XI give their own take on what it was like to play for the ‘Seagulls’ through the promotions, the relegations, the never-to-be forgotten 1983 FA Cup run, the decline of the nineties and the back-to-back Championships of 2001 and 2002. For supporters it’s an opportunity to relive the highs and the lows of the past four decades. For the players it’s a chance to speak honestly and openly about the time they spent at a club which, without exception, still occupies a special place in their heartsFew English football clubs can boast such a varied history as Brighton & Hove Albion. From FA Cup Finalists in 1983 to being within half an hour of crashing out of the Football League altogether in 1997, their supporters ha! ve experienced enough highs and lows to fill a Hollywood screenplay â€" including the explosive sale of the Goldstone Ground for retail development before a replacement had been found. It’s been a memorable if frequently bumpy ride, one featuring a cast of top players including Peter Ward, Steve Foster, Mark Lawrenson, Gary Stevens, Brian Horton, Frank Worthington, Jimmy Case, Bobby Zamora, Danny Wilson, Michael Robinson, Dean Saunders and Joe Corrigan.

In ‘A Few Good Men’, writer and supporter Spencer Vignes selects his all-time Brighton & Hove Albion ‘Dream Team’ from an array of potential candidates. The chosen XI give their own take on what it was like to play for the ‘Seagulls’ through the promotions, the relegations, the never-to-be forgotten 1983 FA Cup run, the decline of the nineties and the back-to-back Championships of 2001 and 2002. For supporters it’s an opportunity to relive the highs and the lows of the past four decades. For the player! s it’s a chance to speak honestly and openly about the time ! they spe nt at a club which, without exception, still occupies a special place in their heartsFrom the author of "Little House on the Freeway" comes "Basic Training For A Few Good Men," a well organized plan that will help you to lead, love, and serve courageously. God's men have been at war for thousands of years. Kimmel provides timely humor and meaningful encouragement to those who find themselves battle fatigued.The Inquiry of Ugra (Ugrapariprccha) is one of most influential Mahayana sutras, preserved and transmitted in both India and China over many centuries and actively quoted in treatises on the bodhisattva path. It is, nevertheless, one of the most neglected texts in Western treatments of Buddhism. The Ugra appears to be one of the earliest bodhisattva scriptures to come down to us, and as such it offers a particularly valuable window on the process by which the bodhisattva path came to be seen as a distinct vocational alternative within certain Indian ! Buddhist communities. A Few Good Men is a study and translation of the Ugra that will fundamentally alter previous perceptions of the way in which Mahayana was viewed and practiced by its earliest adherents.

To achieve a better understanding of the universe of ideas, activities, and institutional structures within which early self-proclaimed bodhisattvas lived, the author first considers the Ugra as a literary document, employing new methodological tools to examine the genre to which it belongs, the age of its extant versions, and their relationships to one another. She goes on to challenge the dominant notions that the Mahayana emerged as a "reform" of earlier Buddhism and offered lay people an "easier option." On the contrary, the picture that emerges is of the early Mahayana as a more difficult and demanding vocation, initially limited to a small contingent of monastic males.

Combining a detailed critical study and translati! on of an important Buddhist scripture with a sweeping reexami! nation o f the relationship between the Buddha and the practitioner of early Mahayana, A Few Good Men will be compelling reading for scholars and practitioners alike and others interested in the history of Indian Buddhism and the formation of Mahayana.Sergio Leone “spaghetti westerns” did not simply add a new chapter to the genre…they reinvented it. From his shockingly violent and stylized breakthrough, A Fistful of Dollars, to the film Quentin Tarantino calls “the best-directed movie of all time,” The Good, the Bad and the Ugly, Leone’s vision did for westerns what talkies did for all movies back in the 1920s: it elevated them to an entirely new art form. Fully restored, presented in high definition with their best-ever audio, and including audio commentaries, featurettes and more, these films are much more than the definitive Leone collection...they are the most ambitious and influential westerns ever made.

A Fistfull Of Dollars
Clint Eastw! ood’s legendary “Man With No Name” makes his powerful debut in this thrilling, action-packed classic in which he manipulates two rival bands of smugglers and sets in motion a plan to destroy both in a series of brilliantly orchestrated setups, showdowns and deadly confrontations.

For A Few Dollars More
Oscar® Winner Clint Eastwood** continues his trademark role in this second installment of the trilogy, this time squaring off with Indio, the territory’s most treacherous bandit. But his ruthless rival, Colonel Mortimer (Lee Van Cleef, High Noon), is determined to bring Indio in first...dead or alive!

The Good, The Bad And The Ugly
The invincible “Man With No Name” (Eastwood) aligns himself with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold. But teamwork doesn’t come naturally to such strong-willed outlaws, and they soon discover that their greatest challenge may be to stay focused â€" a! nd stay alive â€" in a country ravaged by war.Review f! or A Fistful of Dollars:
A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy i! s Clint Eastwood himself. --Edward Buscombe

Review for The Good, the Bad, and the Ugly:
If you think of A Fistful of Dollars and For a Few Dollars More as the tasty appetizers in Sergio Leone's celebrated "Dollars" trilogy of Italian "Spaghetti" Westerns, then The Good, the Bad, and the Ugly is a lavish full-course feast. Readily identified by the popular themes of its innovative score by Ennio Morricone (one of the bestselling soundtracks of all time), this cinematic milestone eclipsed its influential predecessors with a $1.2 million budget (considered extravagant in the mid-1960s), greater production values to accommodate Leone's epic vision of greed and betrayal, and a three-hour running time for its wide-ranging plot about the titular trio of mercenaries ("Good" Blondie played by rising star Clint Eastwood, "Bad" Angel Eyes played by Lee Van Cleef, and "Ugly" Tuco played by Eli Wallach) in a ! ruthless Civil War-era quest for $200,000 worth of buried Conf! ederate gold. Virtually all of Leone's stylistic attributes can be found here in full fruition, from the constant inclusion of Roman Catholic iconography to a climactic circular shoot-out, along with Leone's trademark use of surreal landscapes, brilliant widescreen compositions and extreme close-ups of actors so intimate that they burn into the viewer's memory. And while some Leone fans may favor the more scaled-down action of For a Few Dollars More or the masterful grandiosity of Once Upon a Time in the West, it was The Good, the Bad, and the Ugly that cemented Leone's reputation as a world-class director with a singular vision. --Jeff Shannon

Goody Simple Styles Modern Updo Maker

Perfect One-Dish Dinners: All You Need for Easy Get-Togethers

  • ISBN13: 9780547195957
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
There is one upside to almost getting raped. It proves that you're at least desirable to someone. Maybe Andrew Ashton is just a little bit too rational for his own good. Not however where it concerns his best friend Sean Denham, scion of a political dynasty, and like him from a privileged background. There's only one problem: Sean is straight. Of course he is.

Being born into money was up until now one of the smartest moves Andrew Nathaniel Ashton VII ever made. It keeps him free from worries about his future, earning a living and more of those trivialities, so he can dedicate himself to the really important things in life. Like getting laid.

In his society indentured servitude, c! ommonly known as slavery, has been reintroduced for several, but mainly economical reasons. It doesn't bother him all that much. Slaves are kept on large farming corporations, in factories, in the backside of stores and such. Out of sight.

Andrew knows slavery exists, and he doesn't approve, but on the other hand, it is not as if he made the system what it is, is it? Yes, there was this one time when it touched him personally, but what could he do about it? It is not as if slavery is ever going to become a personal issue, is it?

Andrew thinks the future, all in all, looks bright and carefree. He thinks he is about to find true love. He thinks he is safe.

He is wrong.There is one upside to almost getting raped. It proves that you're at least desirable to someone. Maybe Andrew Ashton is just a little bit too rational for his own good. Not however where it concerns his best friend Sean Denham, scion of a political dynasty, and like him from a p! rivileged background. There's only one problem: Sean is straig! ht. Of c ourse he is.

Being born into money was up until now one of the smartest moves Andrew Nathaniel Ashton VII ever made. It keeps him free from worries about his future, earning a living and more of those trivialities, so he can dedicate himself to the really important things in life. Like getting laid.

In his society indentured servitude, commonly known as slavery, has been reintroduced for several, but mainly economical reasons. It doesn't bother him all that much. Slaves are kept on large farming corporations, in factories, in the backside of stores and such. Out of sight.

Andrew knows slavery exists, and he doesn't approve, but on the other hand, it is not as if he made the system what it is, is it? Yes, there was this one time when it touched him personally, but what could he do about it? It is not as if slavery is ever going to become a personal issue, is it?

Andrew thinks the future, all in all, looks bright and carefree. He thinks he is about ! to find true love. He thinks he is safe.

He is wrong.In this outstanding first novel, Craig Johnson draws on his background in law enforcement and his deep attachment to the American West to produce a literary mystery of stunning authenticity, and full of memorable characters. Walt Longmire, sheriff of Wyoming’s Absaroka County, knows he’s got trouble when Cody Pritchard is found dead. Two years earlier, Cody and three accomplices had been given suspended sentences for raping a Northern Cheyenne girl. Is someone seeking vengeance? Longmire faces the most volatile and challenging case in his twenty-four years as sheriff and means to see that revenge, a dish that is best served cold, is never served at all.

“We in the West have a major new talent on our hands.”
â€"The Denver Post
“A winning piece of work, and a convincing feel to the whole package.”
â€"The Washington Post
“Craig Johnson does it right, with style, gr! ace, wildfire pace, and a sense of humor.”
â€"Bob Shacoc! his
< i>A globe-trotting, century-hopping celebration of dishes

As every great hostess knows, the right dinner plates bring design, color, and drama to the table and elevate an ordinary meal into something special. Dish is a visual celebration of these everyday pieces of art that have been the objects of desire of kings, queens, brides, chefs, and hostesses for centuries.From the first wooden trenchers of the Middle Ages to the seventeenth-century China trade, from twentieth-century designer wares to the colorful melamine plates so widely available today, more than 800 plates are on display here. With insightful descriptions and an expert’s knowledge, author Shax Riegler makes the case that the dinner plate is so much more than just a vessel to deliver food; it’s a piece of art to be admired.These are plates created by storied masters such as Spode and Wedgwood, modernists like Russel Wright and Homer Laughlin, and even today’s contemporary designers like V! era Wang and Diane von Furstenberg. Dish shows them in full color with large photographs, detail shots, and even back-of-the-plate photos, delivering a feast for the eyes for obsessive fans and casual admirers alike.With a timeline of plate highlights in history, sidebars showcasing the most popular designers, and a list of the top 100 patterns of all time, Dish will leave readers looking at the common dinner plate in a whole new way.Becca North doesn't want a boyfriend, but her BFF Nora certainly does-even if she won't admit it. Becca is so off men.

But when Nora, owner of Nora's Novel Niche, meets Suzie the Matchmaking Chef during a booksigning, she finagles a way for the matchmaker to arrange a picnic lunch date for her-on television, no less! Nora drags Becca along for moral support, and to check out her date.

Thing is, Nora's date would rather check out Becca, instead.

Sam Ackerman is a busy man with a business to ru! n and no time to pursue a relationship. The last thing he need! s is to be hooked into a matchmaking scheme played out for the world on national television, but he reluctantly plays along for his friend, Suzie. He knows right away, that his "date" Nora, as beautiful and smart as she is, isn't for him. Her raven-haired BFF hanging around on the sidelines, though, is a tempting candidate.

So, he decides to forgo the entrée and head straight for the side dish.Becca North doesn't want a boyfriend, but her BFF Nora certainly does-even if she won't admit it. Becca is so off men.

But when Nora, owner of Nora's Novel Niche, meets Suzie the Matchmaking Chef during a booksigning, she finagles a way for the matchmaker to arrange a picnic lunch date for her-on television, no less! Nora drags Becca along for moral support, and to check out her date.

Thing is, Nora's date would rather check out Becca, instead.

Sam Ackerman is a busy man with a business to run and no time to pursue a relationship. The last thing he need! s is to be hooked into a matchmaking scheme played out for the world on national television, but he reluctantly plays along for his friend, Suzie. He knows right away, that his "date" Nora, as beautiful and smart as she is, isn't for him. Her raven-haired BFF hanging around on the sidelines, though, is a tempting candidate.

So, he decides to forgo the entrée and head straight for the side dish.This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appr! eciate your understanding of the imperfections in the preserva! tion pro cess, and hope you enjoy this valuable book.

After years of hard work, Gina Foxton, chef extraordinaire and former runner-up Miss Teen Vidalia Onion, is hosting her own show, Fresh Start, on Georgia public television. She's also dating the producer. But when Fresh Start goes badâ€"and her boyfriend is caught in flagrante delicto with the boss's wifeâ€"Gina decides it's time to pursue bigger dreams. Namely a gig on national television.

Gina knows she's destined to be the Cooking Channel's next superstar. But the execs also have their eyes on Tate Moody, Mr. "Kill It and Grill It" himself, host of the hunting, fishing, and cooking show Vittles. The ultimate man's man, Tate is a tasty side of beef with a large, swooning female fan base. Gina's loyal devotees consist of her free-spirited college-dropout sister and her mother . . . who calls every single day.

When the smoke clears there can be only one TV chef standing, and Gina and Tate ! are ready for the cook-off of their lives.

Fall into Cooking Featured Recipe from Pam Anderson’s Perfect One-Dish Dinners: Festive Roast Chicken and Stuffing

The chicken can be rubbed with the spice, the bread cubes toasted, and the sausage and vegetables cooked up to 2 days in advance. After you just brown the chicken, mix the stuffing, bake, and serve. If you need to bake this dish in a disposable pan, remember that the thin foil will not retain heat like a heavy roasting pan, so you’ll need to increase the baking time by 10 to 15 minutes. --Pam Anderson

Serves 8

Ingredients

10â€"12 cups ½-inch bread cubes, plus 2 cups finely ground fresh bread crumbs (use a food processor) from a couple loaves ! of dense, crusty Italian or French bread
3 tablespoons It! alian se asoning, divided
1 tablespoon plus ¾ teaspoon salt, divided
2½ teaspoons freshly ground black pepper, divided
2 teaspoons fennel seeds, minced
1½ teaspoons finely grated orange zest
2 tablespoons olive oil
8 bone-in, skin-on chicken thighs (about 4 pounds), trimmed, rinsed, and patted dry
4 large split bone-in, skin-on chicken breasts (about 4 pounds), protruding rib bones and excess fat trimmed, rinsed, patted dry, and halved crosswise
1 pound bulk Italian sausage or 1 pound links, casings removed
2 medium onions, chopped (about 2 cups)
3 medium celery stalks, chopped (about 1 cup)
1½ cups finely chopped dried Turkish apricots
½ cup minced fresh parsley
2 large eggs
1 quart low chicken broth


Instructions

Spread bread cubes in a single layer on a large baking sheet and spread bread crumbs on a separate baking sheet; let dry for several hours or overnight.

!

Adjust oven rack to lower-middle position; heat oven to 400 degrees. Bake bread cubes until golden brown, 12 to 15 minutes. (Do not toast crumbs.) Remove from oven and reduce oven temperature to 350 degrees.

Meanwhile, mix 2 tablespoons Italian herbs, 1 tablespoon salt, 2 teaspoons pepper, fennel, orange zest, and oil in a small bowl. Smear mixture over both sides of each piece of chicken.

Heat a large heavy roasting pan over two burners on medium-high heat. When wisps of smoke start to rise from pan, add chicken in 2 batches (breasts skin side down). Cook until skin is well browned (3 to 4 minutes), turn, and cook until chicken breasts lose their raw color on remaining side and skin on thighs is well browned, another couple of minutes. Remove from pan and set aside.

Add sausage to roasting pan and fry, stirring frequently to break it up, until it loses its raw color, about 5 minutes. Add onions and celery to pan and continue to cook until v! egetables are soft, 7 to 8 minutes. In a large bowl, mix bread! cubes, bread crumbs, sausage mixture, apricots, parsley, remaining 1 tablespoon Italian herbs, remaining ¾ teaspoon salt, and remaining ½ teaspoon pepper. Whisk eggs into broth in a medium bowl and pour over stuffing ingredients. Toss to coat and let stand for 10 minutes so bread absorbs broth.

Turn stuffing into unwashed roasting pan. Top with chicken (breasts skin side up) and bake until attractively brown and chicken is fully cooked, about 45 minutes. Remove from oven and let stand for 10 minutes before serving.

Drink An Alsatian white, a buttery West Coast Chardonnay or, for red, a delicate, fruity Pinot Noir




Product Description
In Perfect One-Dish Dinners, the New York Times best-selling author Pam Anderson shares her secret for having people over without breaking stride: Make just one dish. Instead of a parade of offerings, she focuses attention! on a single main course--a rustic tart, paella, grilled platter, or homey stew. Perfect One-Dish Dinners showcases about forty such meals, perfect for every season and occasion, all designed to wow guests, calm the cook, and relieve the dishwasher at the end of the night.

Stews for All Seasons
Worldly Casseroles
Roasting Pan Complete
Big Summer Salads and Grilled Platters.

But that's not all. If the cook wants to make something extra, Pam provides a compatible appetizer, salad, and dessert for every one dish. And as a special bonus, she throws in "nearly instant" alternatives for each--more than 200 mixable, matchable recipes. Whether for a book group, church get together, birthday party, or family supper, Perfect One-Dish Dinners makes easy, shareable meals perfectly doable. More than 200 recipes in all.



Recipe Excerpts from Perfect One-Dish Dinners!


Salsa Verde Chicken with Herbed Cornmeal Dumplings

Baby Spinach Salad with Mangoes, Toasted Almonds, and Red Onions

Miniature Lemon-Raspberry Cakes





Lackawanna Blues

  • Based on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is
DOWN IN THE DELTA brings together an outstanding cast of stars in an uplifting story of family, community, and friendship! In a desperate attempt to change her life, Loretta (Alfre Woodard -- STAR TREK: FIRST CONTACT, MUMFORD) -- a troubled single mother from a tough Chicago neighborhood -- is sent to spend a summer in her family's ancestral home in rural Mississippi. In "The Delta," with the support and widsom of her hardworking Uncle Earl, Loretta finally begins to see a way to provide for her youn! g children and reverse the downward slide of her life. A heartwarming, critically acclaimed motion picture also starring Wesley Snipes (BLADE, U.S. MARSHALS) and Loretta Devine (WAITING TO EXHALE) -- share in this remarkable journey to discover the strength of a family's roots and the power of unconditional love!This family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother! . Wesley Snipes takes a break from his action career to do som! e acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsThis family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from ! his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsDown In The Delta brings together an outstanding cast of stars in an uplifting story of family, community and friendship.
In a desperate attempt to change her life, Loretta (Alfre Woodard, The Family That Preys)â€"a troubled single mother from a tough Chicago neighborhoodâ€"is sent to spend a summer at her family's ancestral home in rural Mississippi. In "The Delta," with the support and wisdom of her hardworking uncle Earl, Loretta finally begins to see a way to provide for her young children and reverse the downward slide of her life. Also starring Loretta Devine (TV's Grey's Anatomy) and Wesley Snipes (Brooklyn! 's Finest).This family drama begins in a gritty Chicago ne! ighborho od with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsThis family drama be! gins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimber! ly HeinrichsEVE'S BAYOU (SIGNATURE SERIES) - DVD MovieActr! ess Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff ShannonBased on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational sto! ry of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is a celebration of the good things in life, no matter how tough times may be.

DVD Features:
Audio Commentary:Audio Commentary with director George C. Wolfe and writer Ruben Santiago-Hudson
Deleted Scenes
Featurette

Cool music, a wonderful atmospheric feel, and first-rate performances by a stellar cast distinguish Lackawanna Blues, a 2005, 90-minute film originally broadcast by HBO. Director George C. Wolfe's theater background (as a writer and/or director he's been responsible for The Colored Museum, Jelly's Last Jam, and Bring in Da Noise, Bring in Da Funk) is apparent; adapted by scriptwriter Ruben Santiago-Hudson from his! own autobiographical play, Lackawanna Blues is less a ! story th an a reminiscence, told by a young man (an affecting performance by Marcus Carl Franklin) raised by the indefatigable Rachel "Nanny" Crosby (an equally fine turn by S. Epatha Merkerson, known to many from her role in TV's Law & Order) in that upstate New York town. The focus is on Nanny's rooming house, which is populated by all manner of colorful characters (played by the likes of Macy Gray, Jeffrey Wright, and many others, with Jimmy Smits and Carmen Ejogo as the boy's wayward parents). The roomers include drunks, hustlers, ex-cons, and other shady types, but while plenty of bad stuff goes on, it's all coated with a certain patina of sentiment that tends to minimize the hard realities of life for African Americans in the early 1960s. That's fine; Wolfe, with the help of some superb editing by Brian Kates, gives the film such a delightful period vibe that it's easy to overlook its few shortcomings. The music (available on a soundtrack CD), ranging from downhom! e country blues to uptown swing, jump blues, and more, also makes a major contribution to the delightful diversion that is Lackawanna Blues. --Sam Graham

Boogie Woogie [Blu-ray]

  • BOOGIE WOOGIE BLU-RAY (BLU-RAY DISC)
An all-star cast has wicked fun in skewering the pretentions and superficiality of the art world in this comic romp by director Duncan Ward. Emmy and Golden Globe winner Gillian Anderson (The X-Files) is a cougar on the prowl for a new boy-toy; Heather Graham (Boogie Nights, Austin Powers: The Spy Who Shagged Me) is an ambitious assistant who will do anything to advance her career; Tony winner Alan Cumming (X-Men 2) is a hapless dealer with too much decency for his own good; Danny Huston (Robin Hood, Clash Of The Titans) is a rapacious dealer; and the legendary Christopher Lee (The Lord Of The Rings trilogy) is the owner of the priceless work of art titled Boogie Woogie that they all circle with naked desire. Beauty may be in the eye of the beholder, but art ALWAYS has a price.An all-star cast has wicked fun in skewering the pretentions and superficiality ! of the art world in this comic romp by director Duncan Ward. Emmy and Golden Globe winner Gillian Anderson (The X-Files) is a cougar on the prowl for a new boy-toy; Heather Graham (Boogie Nights, Austin Powers: The Spy Who Shagged Me) is an ambitious assistant who will do anything to advance her career; Tony winner Alan Cumming (X-Men 2) is a hapless dealer with too much decency for his own good; Danny Huston (Robin Hood, Clash Of The Titans) is a rapacious dealer; and the legendary Christopher Lee (The Lord Of The Rings trilogy) is the owner of the priceless work of art titled Boogie Woogie that they all circle with naked desire. Beauty may be in the eye of the beholder, but art ALWAYS has a price.

Falcon Down

Giuliani Time

Four Minutes

  • For over sixty years, aged pianist Traude Kr ger has been teaching piano at the women's prison. But she's never met someone like Jenny, a convicted killer beating everything around her to a pulp just to amuse herself. But Jenny used to be a great musical talent. And she still is under her impenetrable facade. She could manage to win a prestigious piano contest she is allowed to participate
For over sixty years, aged pianist Traude Krüger has been teaching piano at the women s prison. But she s never met someone like Jenny, a convicted killer beating everything around her to a pulp just to amuse herself. But Jenny used to be a great musical talent. And she still is under her impenetrable facade. She could manage to win a prestigious piano contest she is allowed to participate in despite her prison sentence. However, a contest is no challenge to someone who wants life to stand still.Four Mi! nutes recalls the lineage of films dedicated to marginalized characters who find solace in piano playing, such as Jane Campion’s The Piano, yet there is more to this drama than the story of a woman yearning for autonomy. Jenny (Hannah Herzsprung), a prisoner described as the type to "steal a smoke from a corpse" by another inmate, is wasting away in a German penitentiary until she is recruited by piano teacher, Traude Krüger (Monica Bleibtrau), to train for a contest coming up. Krüger, who sees Jenny’s fingers keying organ music on her church pew in Sunday mass, realizes Jenny’s innate talent and slowly heals her student through music as well as through conversations revealing their mutually difficult pasts. While Jenny’s violent outbursts continuously disrupt her piano privileges, Traude heroically defends Jenny in meetings with the hard-edged warden, Mr. Meyerbeer (Stefan Kurt). The crux of the story lies in the friendship forged between these women t! hrough Traude’s determination to heal her young prodigy. Thr! ough fla shback, the viewer learns what male violence was inflicted upon each lady. Four Minutes, subtitled from German, is a bit humorless, and one doesn’t glimpse even a slight smile on any character’s face until fifty minutes of film have rolled. Jenny’s outbursts at the piano as well, such as when she plays handcuffed to defy Meyerbeer, are overwrought. Still, the lack of sentimentality inherent to each character lends a wry realism to the intelligent script, such as when Ms. Krüger tells Jenny to stop playing "negro music," exposing her antiquated, uptight musical taste. Four Minutes succeeds at illustrating a relationship in which two women cut from different cloth share commonalities that assume a female essence, though at their core they crave a universal desire for freedom. --Trinie Dalton

EDtv : Widescreen Edition

  • Widescreen
IT'S THE UNFORGETTABLE STORY OF A NOBODY, THAT EVERYBODY'S WATCHING. THE HILARIOUS STORY OF A TOTAL UNKNOWN TURNED CELEBRITY, WHO FALLS HEAD-OVER-HEELS FOR HIS BROTHER'S GIRLFRIEND SHARI ONLY TO DISCOVER THAT THEIR MOST INTIMATE PRIVATE MOMENTS HAVE JUST BECOME PUBLIC ENTERTAINMENT.The third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist ! invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shag! gy dog tale it's decent fun. --David KronkeThe third en! try of 1 998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fal! len victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun. --David KronkeIt's the unforgettable story of a nobody...that everybody's watching! Matthew McConaughey and Jenna Elfman star in this hilarious romantic comedy Joel Siegel of Good Morning America calls "Big-Laugh Funny."

Ed Pekurny (McConaughey) is just a regular guy who feels he has nothing to lose by agreeing to be a star of a new reality-based TV sho! w. Almost overnight, the program becomes a hit, and suddenly t! his goof y but engaging video clerk is a national celebrity! Everything's fabulous...until Ed falls head-over-heels for Shari (Elfman), the girlfriend of his brother Ray (Woody Harrelson). Suddenly their most private moments become public entertainment - and the ratings go through the roof - as millions of fans tune in to watch a real soap opera filled with comedy and romance.

Superbly directed by Ron Howard and featuring a stellar supporting cast including Elizabeth Hurley, Sally Kirkland, Martin Landau, Ellen DeGeneres, Rob Reiner and Dennis Hopper, EDtv is an outrageous look at instant fame, overnight success, and sharing your life with a few million of your closest fans.The third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a ! scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between makin! g a fully realized, two-and-a-half-hour-long movie that no one! would s it through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun. --David KronkeWea, 47310-2, Jewel Case 15 Track 1999dvd
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