Sissel in Concert - All Good Things

• SISSEL IN CONCERT - ALL GOOD THINGS (DVD MOVIE)

Inspired by the most notorious missing person’s case in New York history, All Good Things is a love story and murder mystery set against the backdrop of a New York real estate dynasty in the 1980s. Produced and directed by Andrew Jarecki (director of the Academy Award-nominated doc Capturing the Friedmans and producer of Catfish), the film was inspired by the story of Robert Durst, scion of the wealthy Durst family. Mr. Durst was suspected but never tried for killing his wife Kathie who disappeared in 1982 and was never found. The film stars Ryan Gosling, Kirsten Dunst and Frank Langella as the powerful patriarch, and captures the emotion and complexion of this real-life unsolved mystery.Inspired by the most notorious missing person’s case in New York history, All Good Things is a love story and murder mystery set! against the backdrop of a New York real estate dynasty in the 1980s. Produced and directed by Andrew Jarecki (director of the Academy Award-nominated doc Capturing the Friedmans and producer of Catfish), the film was inspired by the story of Robert Durst, scion of the wealthy Durst family. Mr. Durst was suspected but never tried for killing his wife Kathie who disappeared in 1982 and was never found. The film stars Ryan Gosling, Kirsten Dunst and Frank Langella as the powerful patriarch, and captures the emotion and complexion of this real-life unsolved mystery.SISSEL IN CONCERT:ALL GOOD THINGS - DVD Movie

The Great Debaters

• Denzel Washington directs and stars in this uplifting drama based on a true story about a small East Texas all-black college in 1935 that rises to the top of the nation's debate teams in a duel against Harvard. A poet and debating coach at Wiley College, Professor Melvin Tolson (Washington) sees debating as "a blood sport" and recruits the meanest and brightest, including troubled Henr

Two-time Academy Award® winner Denzel Washington (American Gangster) directs and stars with Academy Award® winner Forest Whitaker (Last King of Scotland) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but politically radical debate team coach who uses the power of words to transform a group of underdog African American college students into an historical powerhouse that! took on the Harvard elite. DVD Special Features:

Deleted Scenes
The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.
My Soul Is A Witness; Music Video
Theatrical Trailer
Sneak Peeks: Grace is Gone, Cassandra's Dream, I'm Not There, Hunting PartyInspired by real events, the fascinating The Great Debaters reveals one of the seeds of the Civil Rights Movement in its story of Melvin B. Tolson (Denzel Washington in a captivating performance) and his champion 1935 debate club from the all-African-American Wiley College in Texas. Tolson, a Wiley professor, labor organizer, modernist poet, and much else, runs a rigorous debate program at the school, selecting four students as his team in ’35, among them the future founder of the Congress of Racial Equality, James Farmer Jr. (Denzel Whitaker). Washington, who directed The Great Debaters from a script by Robert Eisele (The Dale Earnhardt Story), anchors! the story with the team’s measurable progress, but the film! is also about the state of race relations in America at the height of the Great Depression. With lynchings of black men and women a common form of entertainment and black subjugation for many rural whites, the idea of talented and highly intelligent African-American young people learning to think on their feet during debates would seem almost a hopeless endeavor. But that’s not the way Tolson sees it, as his students serve themselves and the cause of racial equality in America with energetic arguments in favor of progressive government and non-violence as a viable social movement. There are some startling moments in this movie, particularly the sight of a man found lynched and burned to death, and an extraordinary moment in which we see black sharecroppers and white farmers engaged with Tolson in arguments about unionizing together. Forest Whitaker is outstanding as Farmer’s emotionally-reserved father, also a Wiley professor. This is the kind of film where one hopes two great ! actors such as the elder Whitaker and Washington will have a scene together, and when it comes it’s as powerful as one might hope. --Tom Keogh

Before Sunrise

• BEFORE SUNRISE (DVD MOVIE)

BEFORE SUNSET - DVD MovieIn 1994, director Richard Linklater (Dazed and Confused, Waking Life) made Before Sunrise, a gorgeous poem of a movie about two strangers (played by Ethan Hawke and Julie Delpy) wandering around Vienna, talking, and falling in love. Ten years later, Linklater, Hawke, and Delpy have returned with Before Sunset, which reunites the same characters after Hawke has written a book about that night. Delpy appears at the final book reading of his European tour; they have less than two hours before Hawke has to catch a flight to New York...and in that time, they walk around Paris, talk, and fall in love all over again. It sounds simple, perhaps dull, but it's written with such skill and care and acted with such richness that it's a miracle of filmmaking. On its own, Before Sunset is moving and wonderful; seen right ! after Before Sunrise, it will break your heart. --Bret FetzerA heartbroken young Texas journalist meets a beautiful French student on a train bound for Paris, and invites her to share his last night in Vienna.
Genre: Feature Film-Drama
Rating: R
Release Date: 6-NOV-2001
Media Type: DVDThis romantic, witty, and ultimately poignant glimpse at two strangers (Ethan Hawke and Julie Delpy) who share thoughts, affections, and past experiences during one 14-hour tryst in Vienna somehow remains writer/director Richard Linklater's (Dazed and Confused, Slacker) most overlooked gem. Delpy, a stunning, low-key Parisian, meets the stammering American Hawke, as the two share a Eurorail seat--she's starting school in Paris, he's finishing a vacation. Their mutual attraction leads to an awkward meeting (beautifully played by each performer), and Hawke suggests that Delpy spend his remaining 14 hours in Vienna with him.

! Typically, this skeleton is as much plot as Linklater provide! s; as us ual, he's more interested in concentrating his talents on observing the casual, playful conversations between his leads. His tight time frame allows the characters to say anything to one another, and topics ranging from politics to past romances to fears of the future flow with subtle finesse. The short time frame is also cruel, however, because beneath this love affair lies the painful reality that the two most likely will never see each other again and will be left only with memories--an idea Linklater drives home with an effective snapshot conclusion.

Hardly the trite Gen-X bitch session that many '90s films using this approach become, the film feels more like a Bresson or Rohmer piece, containing sharp perceptions--and flawed humans rather than stereotypes. The protagonists' frank revelations and heated exchanges flow in a stream-of-consciousness style, and its no accident that Linklater set the film in Vienna, where Freud invented and practiced psychotherapy. --! Dave McCoyStudio: Warner Home Video Release Date: 11/09/2010This romantic, witty, and ultimately poignant glimpse at two strangers (Ethan Hawke and Julie Delpy) who share thoughts, affections, and past experiences during one 14-hour tryst in Vienna somehow remains writer/director Richard Linklater's (Dazed and Confused, Slacker) most overlooked gem. Delpy, a stunning, low-key Parisian, meets the stammering American Hawke, as the two share a Eurorail seat--she's starting school in Paris, he's finishing a vacation. Their mutual attraction leads to an awkward meeting (beautifully played by each performer), and Hawke suggests that Delpy spend his remaining 14 hours in Vienna with him.

Typically, this skeleton is as much plot as Linklater provides; as usual, he's more interested in concentrating his talents on observing the casual, playful conversations between his leads. His tight time frame allows the characters to say anything to one another, and topic! s ranging from politics to past romances to fears of the futur! e flow w ith subtle finesse. The short time frame is also cruel, however, because beneath this love affair lies the painful reality that the two most likely will never see each other again and will be left only with memories--an idea Linklater drives home with an effective snapshot conclusion.

Hardly the trite Gen-X bitch session that many '90s films using this approach become, the film feels more like a Bresson or Rohmer piece, containing sharp perceptions--and flawed humans rather than stereotypes. The protagonists' frank revelations and heated exchanges flow in a stream-of-consciousness style, and its no accident that Linklater set the film in Vienna, where Freud invented and practiced psychotherapy. --Dave McCoy

Lifetime Collective Men's Collector Jacket, Brown Combo, X-Large

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Wool through the body of the Collector jacket will keep you warm through the colder months, while the brown oiled cotton canvas on the sleeves and shoulders adds a great contrast to the black wool. We've also added an industrial clasp to the upper chest to tie it all together with a unique finish.

Copying Beethoven

• COPYING BEETHOVEN

When young Anna Holz (Diane Kruger), a Viennese music student is asked to transcribe scoring notes for the great Ludwig van Beethoven (Harris), she eagerly accepts, despite warnings about his volatile behavior. Part maestro, part mentor and part madman, Beethoven reluctantly relies on Anna to help him realize the culmination of his art.

A passionate, powerful drama based loosely on the final months of Ludwig van Beethoven's life, Copying Beethoven finds the maestro a haunted man, composing the most revolutionary yet unappreciated work of his lifetime; largely deaf; disappointed in his relationship with a wastrel nephew; and fascinated by a young, female composer, Anna Holtz (Diane Kruger), who goes to work for him transcribing music. Staying as a guest at a convent and engaged to a stolid engineer, Anna is drawn to Beethoven’s tempestuous genius. Half the time he'! s enchanted by her and seems to see straight through to her soul. The other half, he's shouting at her for her timidity or flattery. Hardly a mouse, Anna fights back. The more she does, the more Beethoven recognizes in her a kindred survivor, someone with whom he can reveal his vulnerability and the burden of his artistry. Ed Harris' Beethoven is wracked by pain but not overwhelmed by it; he looks like a man who understands his responsibility to nature too well to merely disintegrate. ("God whispers in most men's ears," Beethoven says. "He shouts in mine.") Director Agnieszka Holland (Olivier, Olivier) oversees a handsome, alternately tender and brutal drama, with several thrilling moments, including the stunned look of audience members hearing the world premiere of the glorious 9th Symphony. --Tom Keogh

Copying Beethoven Extras

Watch Ed Harris speak about portraying Beethoven in this exclusive clip.

Beyond Copying Beethoven

Copying Beethoven Soundtrack

Famous Composers: Ludwig Van Beethoven

More From MGM

Stills from Copying Beethoven

Bell Pepper Seeds - Jewel Toned -Crimson, Gold and Orange

• Sow Seeds Indoors: Feb. - March /
• Days to Germinate: 10 - 21 Days /
• Transplant Outdoors Full Sun: April - June /
• Transplant to Harvest: Approx. 72 Days /
• Net Wt: .2 Grams / Seeds Per Pack: 25 - 30

Award-winning filmmaker Jafar Panahi's (The White Balloon, The Circle) latest triumph is an intimate and absorbing drama about the ways in which the hypocrisies and slights of daily life can push otherwise reasonable people over the edge. Based on true events and written by acclaimed director Abbas Kiarostami (A Taste of Cherry), CRIMSON GOLD is the story of Hussein, a humble pizza deliveryman who feels continually humiliated by the injustices he sees all around him. When his friend Ali finds a receipt for a stranger's necklace purchase, Hussein is stunned by its exceptionally high cost. He knows that his pitiful salary will never be enough to afford such a luxury. So! on after, he and Ali are refused entry to an uptown jewelry store because of their scruffy appearances; his rage over this slight sets off a series of events. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge. DVD extras include: 5.1, trailer, subtitle control, weblinks, Interview with director Jafar PanahiTwo master filmmakers, Abba Kiarostami (A Taste of Cherry) and Jafar Panahi (The Circle), team up as writer and director, respectively (as they did on 1996's The White Balloon), on Crimson Gold, a subtle tragedy about class conflict in Iran. Hussein (Hossain Emadeddin) is a lumbering veteran swollen by cortisone (for war-induced pain) and reduced to delivering pizzas at night. (He is frequently lost in a mental semi-fog during the days.) Witness to the rewards and vanities of the wealthy, insulted when a jewelry shop owner won't allow him in his store, and under pressure to g! et married, Hussein awkwardly aspires for higher ground but is! more fa miliar with a life of marginal importance. When an eccentric socialite gives him a taste of luxury, something desperate is unleashed. Panahi brings his feel for and vision of the expansive ordinary, for the near-invisible forces churning within characters in seemingly throwaway circumstances. A haunting film. --Tom Keogh

She wanted out.

She wanted a new life.

She wanted a trophy worthy of a master thief.

She wanted to find the source of the treasured crimson gold.

She wanted to face an undead emperor on his home ground and live to tell the tale.

Careful what you wish for.

The Crimson Gold is the third title in this ongoing Forgotten Realms series focusing specifically on the shadowed life of the iconic character class of the rogue. Each novel in the series is a stand-alone adventure, allowing readers an easy entry point into the Forgotten Realms world.

Award-winning filmmaker Jafar Panahi's (T! he White Balloon, The Circle) latest triumph is an intimate and absorbing drama about the ways in which the hypocrisies and slights of daily life can push otherwise reasonable people over the edge. Based on true events and written by acclaimed director Abbas Kiarostami (A Taste of Cherry), CRIMSON GOLD is the story of Hussein, a humble pizza deliveryman who feels continually humiliated by the injustices he sees all around him. When his friend Ali finds a receipt for a stranger's necklace purchase, Hussein is stunned by its exceptionally high cost. He knows that his pitiful salary will never be enough to afford such a luxury. Soon after, he and Ali are refused entry to an uptown jewelry store because of their scruffy appearances; his rage over this slight sets off a series of events. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge. DVD extras include: 5.1, trailer, subtitle control, weblinks, Interview w! ith director Jafar PanahiTwo master filmmakers, Abba Kiarostam! i (A Taste of Cherry) and Jafar Panahi (The Circle), team up as writer and director, respectively (as they did on 1996's The White Balloon), on Crimson Gold, a subtle tragedy about class conflict in Iran. Hussein (Hossain Emadeddin) is a lumbering veteran swollen by cortisone (for war-induced pain) and reduced to delivering pizzas at night. (He is frequently lost in a mental semi-fog during the days.) Witness to the rewards and vanities of the wealthy, insulted when a jewelry shop owner won't allow him in his store, and under pressure to get married, Hussein awkwardly aspires for higher ground but is more familiar with a life of marginal importance. When an eccentric socialite gives him a taste of luxury, something desperate is unleashed. Panahi brings his feel for and vision of the expansive ordinary, for the near-invisible forces churning within characters in seemingly throwaway circumstances. A haunting film. --Tom Keogh

The '25, '61, '78, '79! , and '92 national championships, the first game under Coach Paul "Bear" Bryant, the Alabama-Tennessee rivalry, the Alabama-Auburn rivalry, and twelve more power-packed memorable moments make up the legend of Alabama Football. Eli Gold brings these memories to life with the same clarity and fervor that fans have come to love as they listen to football on the radio.

Featured are legendary Alabama players and coaches including Joe Namath, Johnny Musso, Kenny Stabler, Gene Stallings, Harry Gilmer, Don Hutson, and other names that are still part of everyday conversation in Alabama, regardless of when they attended the university. So much of what was great at Alabama is because of the leadership and influence of Bear Bryant, and his story is told as well as his part in the story of every one of these important moments.

Set roughly in chronological order with photographs throughout, Crimson Nation is a journey back through time that every true Alabama fan must ! own.

The '25, '61, '78, '79, and '92 national championsh! ips, the first game under Coach Paul "Bear" Bryant, the Alabama-Tennessee rivalry, the Alabama-Auburn rivalry, and twelve more power-packed memorable moments make up the legend of Alabama Football. Eli Gold brings these memories to life with the same clarity and fervor that fans have come to love as they listen to football on the radio.

Featured are legendary Alabama players and coaches including Joe Namath, Johnny Musso, Kenny Stabler, Gene Stallings, Harry Gilmer, Don Hutson, and other names that are still part of everyday conversation in Alabama, regardless of when they attended the university. So much of what was great at Alabama is because of the leadership and influence of Bear Bryant, and his story is told as well as his part in the story of every one of these important moments.

Set roughly in chronological order with photographs throughout, Crimson Nation is a journey back through time that every true Alabama fan must own.

Award-winning filmmaker Jafar ! Panahi's (The White Balloon, The Circle) latest triumph is an intimate and absorbing drama about the ways in which the hypocrisies and slights of daily life can push otherwise reasonable people over the edge. Based on true events and written by acclaimed director Abbas Kiarostami (A Taste of Cherry), CRIMSON GOLD is the story of Hussein, a humble pizza deliveryman who feels continually humiliated by the injustices he sees all around him. When his friend Ali finds a receipt for a stranger's necklace purchase, Hussein is stunned by its exceptionally high cost. He knows that his pitiful salary will never be enough to afford such a luxury. Soon after, he and Ali are refused entry to an uptown jewelry store because of their scruffy appearances; his rage over this slight sets off a series of events. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge.Two master filmmakers, Abba Kiarostami (A Taste of Cherry) and Jafar Panahi (The Circle), team up as writer and! directo r, respectively (as they did on 1996's The White Balloon), on Crimson Gold, a subtle tragedy about class conflict in Iran. Hussein (Hossain Emadeddin) is a lumbering veteran swollen by cortisone (for war-induced pain) and reduced to delivering pizzas at night. (He is frequently lost in a mental semi-fog during the days.) Witness to the rewards and vanities of the wealthy, insulted when a jewelry shop owner won't allow him in his store, and under pressure to get married, Hussein awkwardly aspires for higher ground but is more familiar with a life of marginal importance. When an eccentric socialite gives him a taste of luxury, something desperate is unleashed. Panahi brings his feel for and vision of the expansive ordinary, for the near-invisible forces churning within characters in seemingly throwaway circumstances. A haunting film. --Tom KeoghColor-coded seeds enable gardeners to grow three super-premium hybrid varieties of luscious gold Admiral Golden B! ell, red Vidi Crimson Bell and orange Valencia Orange Bell from one convenient packet.

August Rush

• There?s music in the wind and sky. Can you hear it? And there?s hope. Can you feel it? The boy called August Rush can. The music mysteriously draws him, penniless and alone, to New York City in a quest to find ? somehow, someway ? the parents separated from him years earlier. And along the way he may also find the musical genius hidden within him.Experience the magic of this rhapsodic epic of the

AUGUST follows Tom Sterling (Josh Hartnett) as an aggressive, young dot-com entrepreneur who fights to keep his start-up company afloat. Tom finds himself on a personal and professional downward spiral as he struggles to reunite with girlfriend Sarrah (Naomie Harris), attempts to regain control of his company from his apathetic investor Ogilvie (David Bowie), and must deal with age-old family wounds with his father, David (Rip Torn) and his brother Joshua (Adam Scott). The film also stars Emmanuelle! Chriqui as Morela and Andre Royo as Dylan.The specter of September 11th looms over August--there are numerous indications that it’s set in 2001, and the title alone is an ominous indication of the imminence of that awful day--but watching this 2008 offering, one gets the feeling that even if Tom Sterling knew 9/11 was coming, he wouldn’t change a thing. As written by Howard A. Rodman, directed by Austin Chick, and portrayed by John Hartnett, Tom is almost completely unlikable. A dot-com entrepreneur in those heady days before the techno bubble burst and internet companies like his Land Shark went directly south, Tom’s hipper than his neck tattoo, disdainful of his competition, borderline abusive to his younger, meeker brother (the technical brains behind the company they founded together), hostile to his parents, and a jerk to his former girlfriend, the one person he actually seems to care about. He’s also a master at talking loud and saying absolutely nothi! ng. One of the filmmakers’ conceits is that we’re never to! ld exact ly what it is that Land Shark does; Tom mouths some nonsense about providing "bleeding-edge, mission-critical, cross-platform, robust, scale-able architectures," but the company’s principal function, as his dad (Rip Torn) puts it, seems to be to provide office space for his young employees to eat Oreos and play computer solitaire, and when Land Shark meets the fate of others of its ilk, it’s mighty hard to care. No flies on Hartnett--the guy is a star, and rarely less than watchable. But August is a cold film, in both look and feel, and even a brief but memorable scene near the end with David Bowie as the one character who seems able to talk straight won’t keep you from wanting to take a shower when it’s all over. --Sam GrahamOriginally published in 1983, this bestseller is a compelling portrait of a young woman's experience in psychotherapy.There’s music in the wind and sky. Can you hear it? And there’s hope. Can you feel it? The boy called August ! Rush can. The music mysteriously draws him, penniless and alone, to New York City in a quest to find â€" somehow, someway â€" the parents separated from him years earlier. And along the way he may also find the musical genius hidden within him. Experience the magic of this rhapsodic epic of the heart starring Freddie Highmore (as August), Keri Russell, Jonathan Rhys Meyers, Terrence Howard and Robin Williams. "I believe in music the way some people believe in fairy tales," August says. Open your heart and listen. You’ll believe, too.Music has long been considered a universal language with the power to bring people together, but can the simple act of playing music possibly unite a child with a mother and father who live in two different cities and don't even know of the child's existence? Having shared one extraordinary night, classical cellist Lyla Novacek (Keri Russell) and Irish singer and songwriter Louis Connelly (Jonathan Rhys Meyers) were a union meant to be that w! as torn apart by circumstances and a protective father (Willia! m Sadler ). After eleven years, both Lyla and Louis have given up performing only to find that they are unhappy and searching for a sense of fulfillment that will ultimately lead both artists back to music and performing. Evan (Freddie Highmore) is an 11-year old orphan who's grown up hearing music in everything around him and is convinced that his real parents want him and will find him with the help of music. Driven by his innate musical genius and a powerful compulsion to perform before the world, Evan runs away from the orphanage and is initially taken in by a street man known as Wizard (Robin Williams) who encourages his musical talent and renames him August Rush and, later, by a local priest who arranges for August to receive a Julliard education. August is a child prodigy who excels beyond even the wildest expectations and earns the opportunity of a lifetime--a chance to perform in front of an enormous audience in New York's Central Park. The question is; can his performa! nce possibly reach the audience August really craves? While elements of this film are completely unbelievable (take August's instant prowess on the guitar or his immediate and sophisticated grasp of musical notation and musical theory), the message of the universality of music and the notion that "the music is all around us, all you have to do is listen" is both compelling and powerful. --Tami Horiuchi