Wednesday, November 30, 2011

The Baby-Sitters Club #1: Kristy's Great Idea

  • ISBN13: 9780545174756
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The first of the new Collector's Club Editions features a new logo, bright new cover, and fill-in pages to personalize as Kristy comes up with the idea for the Baby-sitter's Club with friends Claudia, Stacey, and Mary Anne. It all began with a great idea ... and the inspiring original story of the Baby-sitters Club is back! Kristy Thomas's brilliant business plan gets off to a great start with the help of Claudia Kishi (vice-president), Mary Anne Spier (secretary), and Stacey McGill (treasurer).


Amazon Exclusive Inteview with Author Ann M. Martin

Q: It's been a decade since the last Baby-sitters Club books came out, and 24 years since the first book was published. What was it like to come back to the BSC after so many years away?

Martin: I had a great time re-visiting the characters. It was fun to explore their lives in the prequel, “"The Summer Before," and to figure out what led the girls to form The Baby-sitters Club, something that would eventually change their lives. It was like a reunion with friends--friends who haven’t changed a bit.

Q: Kristy, Claudia, Mary Anne, and Stacey are very different characters, which is in part why the series was and is still so popular. Every reader can relate to at least one of the characters. So, we have to ask you--which character are you most like?

Martin: I am most like Mary Anne who is the shy and quiet one. Like me, Mary An! ne enjoys more solitary pursuits such as reading and needlewor! k. My fa vorite character, however, is Kristy. I think she's my alter ego.

Q: Were you allowed to baby-sit when you were twelve? If so, were they any funny or awful stories you'd like to share?

Martin: Yes, I did a lot of baby-sitting when I was twelve. One of the worst and also funniest things that ever happened was when I was baby-sitting for our neighbors and the kids wanted to wash their parents' car. They started the job with much enthusiasm--using Brillo pads.

Q: More than 200 BSC books were published in the eighties and nineties. Are there any that you are particularly fond of and why?

Martin: My favorite Baby-sitters Club book is "Kristy's Great Idea," which is the first book and sets the series in motion. I also like the more serious books such as "Claudia and the Sad Good-bye," which deals with the death of Claudia’s grandmother. This book was written sh! ortly after my own grandmother died. My other favorite BSC books include “Kristy and the Secret of Susan,” in which the members of the BSC baby-sit for a child with autism, and "Jessi's Secret Language" in which the girls learn American Sign Language in order to communicate with a sitting charge with profound hearing impairment.

Q: Why do you think that the series is so well-loved and has endured over so many years?

Martin: I think the characters in the BSC books are easily relatable. The books deal with timeless topics including friendship, family, and school. Also, the books tackle serious issues including racism, bullying, kids with disabilities (physical and mental), and death of a loved one. These issues were relevant to kids in the 1980s and 1990s, and are still relevant to kids today. In addition to being relatable, these are characters readers can aspire to. The kids run a business--in this case, a baby! -sitting business. They are entrepreneurial, independent, crea! tive, an d confident. And at the heart of the series is the friendship--the "glue" that binds these characters. Sure, they have fights, but they're loyal and they support one another. I think a lot of us--even adults--can relate to that.

Q: "The Summer Before" takes place during the summer before the girls enter the seventh grade--where suddenly there's a ton of pressure to fit in. The months leading up to it can be filled with anxiety, excitement, and anticipation. Do you remember how you spent the summer before seventh grade?

Martin: I was nervous that summer because in the fall I would be going to a new school â€" the junior high (this was in the time before middle schools). Even the words "junior high" seemed terribly grown-up. My friends and I would be attending school with eighth-graders, who were one step away from high school. I spent that summer reading, going to the community pool, taking a family trip to Cape May! , New Jersey, doing some baby-sitting, and also recovering from surgery. But the knowledge that I would soon be in junior high school colored every day and every activity and did lend the summer an air of both anxiety and anticipation.

Q: Despite the fun the girls have together in "The Summer Before," they're all dealing with pretty tough problemsâ€"moving away, an absentee father, a first crush. How did you choose the issues you wanted to focus on?

Martin:  One of my favorite things about writing a series was that the characters themselves generated plot ideas for later books. One of the themes that developed as the series progressed was that of Kristy's relationship with her father. It was an idea I enjoyed exploring, and when I had the opportunity to write the prequel I realized that this summer would be a charged time for Kristy, and that I could introduce the issues she had with her father here; then they could! unfold in the later books. The same applied to Stacey. Her re! asons fo r moving to Stoneybrook had been revealed in later books, but I realized that during this particular summer the reader could actually watch the events take place. The other issues â€" a first crush, wanting more independence yet still feeling like a kid--are themes that I felt would resonate with most "tween" readers.

Q:
Even though the books have been out of print for ten years there are still some very devoted fans. Surely you must have received a ton of letters about the series over the years. Are there any that stick out in your mind?

Martin: The most memorable are stories of girls who have written to me and told me that I’ve made an impact on their lives, that The Baby-sitters Club books have turned them into readers. Some have also said that the BSC books made them aspire to become writers. I’ve also heard from a lot of the original fans who grew up to become teachers, librarians, editors, journalists, entre! preneurs, etc. To know that this series inspired a generation of readers and writers is very humbling.

Q: There’s been a lot of speculation in the blogosphere about where Claudia, Kristy, Mary Ann, and Stacey would be now, in 2010, had they grown up. Do you have any thoughts on what path each would have taken?

Martin:  I understand the fascination of the older BSC fans who would like to know what happened with the characters when they got older. It’s thrilling to realize that after all these years the fans remain passionate about the books and the characters in The Baby-sitters Club. I can see Kristy running a business--I can also see her being in politics. I think Mary Anne became a teacher. I imagine Stacey went into fashion--not as a designer, but maybe on the business side. And Claudia became an artist. I think fans can fill in for the rest of the characters!



Dracula - Dead and Loving It

  • A comic reinvention of the Bela Lugosiic about a Transylvanian vampire who works his evil spell on a perplexed group of Londoners. Mel Brooks's Count is a pratfalling evil prince of a guy who believes in long relationships. Brooks portrays vampire hunter Van Helsing, who won't give a bloodsucker an even break.Running Time: 90 min. Format: DVD MOVIE Genre: COMEDY Rating: PG-13 Ag
A comic reinvention of the Bela Lugosi classic about a Transylvanian vampire who works his evil spell on a perplexed group of Londoners. Mel Brooks's Count is a pratfalling evil prince of a guy who believes in long relationships. Brooks portrays vampire hunter Van Helsing, who won't give a bloodsucker an even break.

DVD Features:
Audio Commentary:Commentary by director/co-writer Mel Brooks, co-stars Steven Weber and Amy Yasbeck, and co-writers Rudy De Luca and Steve Haberman
Theatrical Trail! er

In 1995, it was promising to hear that Mel Brooks was creating "the companion piece to Young Frankenstein." He had also brought in the heavyweight of deadpan--Leslie Nielsen. As Lt. Frank Drebin in the Police Squad movies, Nielsen has no peer for silly stuff--just the player Brooks would seem to need for a strong movie, as any fan of Brooks perpetually hopes a new film may rekindle his madcap magic. Alas, the end results in Dracula: Dead and Loving It include a sprinkling of amusements and one big belly laugh. Brooks and his writers use a very tight adaptation of Bram Stoker's novel, but the spoofs can be spelled out as we go, as if they are paint-by-number. Some are jabs at Coppola's version of Dracula, but most are attached to classic Dracula films. If any real pleasure comes from the movie it's thanks to the efforts of the cast. Peter MacNicol plays the crazed Renfield to the letter, Steven Weber has a good time as the tight Bri! tish Harkin, and Lysette Anthony charms as the doomed Lucy. Br! ooks and Nielsen ham it up just fine. There's even a surprisingly controlled performance by Harvey Korman (a character spoofing Anthony Hopkins's role in the misfire The Road to Wellville). As with Brooks's period comedies, the film looks better than it needs to and includes a few tricky special effects for good measure. This has nothing to do with the audience laughing--we need bigger jokes. And when you double over laughing in one scene--involving a stake through the heart and a bucket of blood--you want the movie to achieve Brooks's days of glory, when hearty laughter was the norm, not an isolated moment. --Doug Thomas

The English Patient: Original Soundtrack Recording

  • OST Full Length Audio CD
With unsettling beauty and intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an abandoned Italian villa at the end of World War II.The nurse Hana, exhausted by death, obsessively tends to her last surviving patient. Caravaggio, the thief, tries to reimagine who he is, now that his hands are hopelessly maimed. The Indian sapper Kip searches for hidden bombs in a landscape where nothing is safe but himself. And at the center of his labyrinth lies the English patient, nameless and hideously burned, a man who is both a riddle and a provocation to his companionsâ€"and whose memories of suffering, rescue, and betrayal illuminate this book like flashes of heat lightning.Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in a! n Italian monastery as World War II ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen.

A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.Michael Ondaatje’s Booker Prizeâ€"! winning best seller lyrically portrays the convergence of four! damaged lives in a bomb-riddled Italian villa in the last days of the war. Hana, the grieving nurse; the maimed thief, Caravaggio; the emotionally detached Indian sapper, Kipâ€"each is haunted in different ways by the riddle of the man they know only as the English patient, a nameless burn victim who lies swathed in bandages in an upstairs room. It is this man’s incandescent memoriesâ€"of the bleak North African desert, of explorers’ caves and Bedouin tribesmen,
of forbidden love, and of annihilating angerâ€"that illuminate the story, and the consequences of the mysteries they reveal radiate outward in shock waves that leave all the characters forever changed.With ravishing beauty and unsettling intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patien! t, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal,and rescue illuminates this book like flashes of heat lightening.


From the Hardcover edition.Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in an Italian monastery as World War II ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen.

A book that binds readers of great literature, The English Patient garnered the Booker Prize for a! uthor Ondaatje. The poet and novelist has also written In ! the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.With ravishing beauty and unsettling intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal,and rescue illuminates this book like flashes of heat lightening.


From the Hardcover edition.

The Lost Oasis tells the true story behind The English Patient. An extraordinary episode in World War II, it describes the Zerzura Club, a group of desert explorers and adventurers who! indulged in desert travel by early-model-motor cars and airplanes, and who searched for lost desert oases and ancient cities of vanished civilizations. In reality, they were mapping the desert for military reasons and espionage. The club's members came from countries that soon would be enemies: England and the Allied Forces v. Italy and Germany. When war erupted in 1939, Ralph Bagnold founded the British Long Range Desert Group to spy on and disrupt Rommel's advance on Cairo, while a fellow club member, Hungarian Count Almasy, succeeded in placing German spies there. Ultimately, the British prevailed. Saul Kelly's riveting history draws on interviews with survivors and previously unknown documentary material in England, Italy, Germany, Hungary, and Egypt. His book reads like a thriller - with one key difference: it's all true.
1st Edition HardcoverAnthony Minghella's Oscar-winning realization of Michael Ondaatje's intricate romance deservedly earned comparisons to Dav! id Lean's sweeping screen epics derived from strong literary s! ources. Like Lean, Minghella sought an equally thoughtful, yet ravishing musical counterpart that fleshes out a sympathetic orchestral score with allusions to the story's cultural milieu. The equation begins with Gabriel Yared's tender, brooding symphonic score, which mingles the film's poles of fate and passion with subtlety and restraint, then adds the exotic, mesmerizing voice of Marta Sebestyen (best known for her work with Muzsikas, the brilliant Hungarian folk revivalists, who also appear here), whose presence provides a literate clue to the title character's true identity. The film's '40s time-frame gains resonance and dramatic irony by pop songs from that era, including Benny Goodman swing classics and two versions of Irving Berlin's "Cheek to Cheek" (by Fred Astaire and Ella Fitzgerald, respectively). Add a pivotal Bach cue and this is a film package that works even if you don't know the film--and that much more powerfully if you do. --Sam Sutherland

Big Daddy [VHS]

  • Condition: Used - Very Good
BIG DADDY - DVD MovieGosh--kids. You gotta love 'em, right? Well, not necessarily-- particularly if you're Adam Sandler. But Big Daddy is about paternal devotion in its own oblique way. Sandler plays Sonny Koufax, a law-school grad who has been milking an accident settlement to cover his living expenses, while he continues to slack his way through life. But when his girlfriend threatens to dump him, he decides to show her he's serious about their relationship and pretends to adopt a little boy (in fact, his roommate's son from a one-night stand several years earlier, who shows up on their doorstep just after the roommate leaves town on a job). But after taking care of the tyke for a couple of days, Sonny finds that it's a little like feeding that stray dog that followed you home: Before you know it, you've grown attached to the little fella--and then what ar! e you going to do? By turns crude and maudlin, Big Daddy has its share of laughs and will certainly entertain fans who like Adam Sandler best when he plays the case of arrested development with a smart-aleck retort for everything. --Marshall FineStudio: Sony Pictures Home Ent Release Date: 02/15/2011 Run time: 93 minutes Rating: Pg13Gosh--kids. You gotta love 'em, right? Well, not necessarily-- particularly if you're Adam Sandler. But Big Daddy is about paternal devotion in its own oblique way. Sandler plays Sonny Koufax, a law-school grad who has been milking an accident settlement to cover his living expenses, while he continues to slack his way through life. But when his girlfriend threatens to dump him, he decides to show her he's serious about their relationship and pretends to adopt a little boy (in fact, his roommate's son from a one-night stand several years earlier, who shows up on their doorstep just after the roommate leaves town on a job)! . But after taking care of the tyke for a couple of days, Sonn! y finds that it's a little like feeding that stray dog that followed you home: Before you know it, you've grown attached to the little fella--and then what are you going to do? By turns crude and maudlin, Big Daddy has its share of laughs and will certainly entertain fans who like Adam Sandler best when he plays the case of arrested development with a smart-aleck retort for everything. --Marshall FineSANDLER COLLECTION - DVD MovieGuaranteed to work or your money back - PLEASE NOTE ALL MONIES FROM THIS SALE GO TO A 501 (C)3 NO KILL ANIMAL SHELTERGosh--kids. You gotta love 'em, right? Well, not necessarily-- particularly if you're Adam Sandler. But Big Daddy is about paternal devotion in its own oblique way. Sandler plays Sonny Koufax, a law-school grad who has been milking an accident settlement to cover his living expenses, while he continues to slack his way through life. But when his girlfriend threatens to dump him, he decides to show her he's serious about t! heir relationship and pretends to adopt a little boy (in fact, his roommate's son from a one-night stand several years earlier, who shows up on their doorstep just after the roommate leaves town on a job). But after taking care of the tyke for a couple of days, Sonny finds that it's a little like feeding that stray dog that followed you home: Before you know it, you've grown attached to the little fella--and then what are you going to do? By turns crude and maudlin, Big Daddy has its share of laughs and will certainly entertain fans who like Adam Sandler best when he plays the case of arrested development with a smart-aleck retort for everything. --Marshall Fine
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