Thursday, December 1, 2011

Born Romantic: Music From The Motion Picture (Original Soundtrack)

  • OST
  • O.S.T.
  • 5099750182420
Three young meneach cursed with two left feetfind that the right steps to salsa dancing can lead to love in this hilarious romantic film"a feel-good date movie in the Four Weddings mold" (Uncut)! Starring Craig Ferguson ("The Drew Carey Show"), Ian Hart (Harry Potter and the Sorcerer's Stone), Jane Horrocks ("Absolutely Fabulous"), Adrian Lester, Catherine McCormack,Jimi Mistry, David Morrissey and Olivia Williams (The Sixth Sense), Born Romantic will take you for a dizzying spin through three quirky courtshipsand leave you "smiling and believing that love really can conquer all" (Good Housekeeping)! A certified lounge lotharioseeks to heat things up with an art historian who's cooled on the idea of love. A failed musician wants to strum the right chord with the bride he jilted years earlier. And a dyslexic mugger with a chloroform-doused cloth finds ! himself knocked out by a pretty grave attendant. They've got their workcut out for them. And yet, at a local club pulsating with the hot sounds of salsa music, any one ofthese three could find the answer to his romantic quandary if they can only find the rhythm in time.A cheeky comedy about love's labor being well beyond lost, Born Romantic stutters out of the gate and never quite recovers. Perhaps it's the gaggle of local quips, jokes based on British television personalities, for instance, or the cameo-like nature of its ever-revolving cast, but director David Kane can't seem to sit still long enough to artfully set up his punch lines--anathema to a feature-length comedy. Set mostly in a London salsa club, the film trails behind a series of lonely thirtysomething singles as they search out one-night stands in the hopes of stumbling upon something more meaningful, namely love. As they shuttle to and fro in late-night minicabs, we're afforded insight into their short! comings, past disappointments, shagging abilities, and ostensi! ble char ms, the cab serving as both confession booth and makeshift bedroom. Featuring a cast of recognizably talented faces, including Jimi Mistry (East Is East) and Olivia Williams (Rushmore), Born Romantic unfortunately never manages to shake its initial impression of being an inflated sitcom better pared down for television. --Fionn MeadeTrack listing 1. Acuyuye - DLG // 2. Oye Como Va - Feliciano, Cheo // 3. Ella Fue - Fania Allstars // 4. Love - Cole, Nat 'King' // 5. Indestructible - Salinas, Robby // 6. Ran Kan Kan - Puente, Tito // 7. Pintame - Crespo, Elvis // 8. Born Romantic - Boswell, Simon // 9. Fear And Love - Morcheeba // 10. Sway - Martin, Dean // 11. La Enganadora - Gonzalez, Ruben // 12. Baby Won't You Please Come Home - Horrocks, Jane & Dean Martin // 13. Ojala - Kassav // 14. Como Ves - Ozomatli // 15. No Me Dejes De Querer (Flores Del Caribe mix) - Estefan, Gloria // 16. London By Day - Boswell, Simon // 17. Love - Ferguson, Craig // 18. Yes Sir I Can Boogie - Miranda, Nina

High Tension

  • DVD Details: Actors: Cecile De France, Maiwenn Le Besco, Philippe Nahon, Franck Khalfoun, Andrei Finti
  • Directors: Alexandre Aja
  • Format: Closed-captioned, Color, Dolby, Dubbed, DVD, Full Screen, Subtitled, NTSC
  • Aspect Ratio: 1.33:1; Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: October 11, 2005 ; Run Time: 91 minutes
HIGH TENSION - DVD MovieHome to some of the world's best food and fashion, the French also have the wonderful habit of producing some of the world's best movies. With High Tension, French director Alexandre Aja offers up a bloody buffet of terror; a violent concoction of style over substance, with a bloody French twist. Two college girlfriends, Maria and Alex, take a weekend to study at the secluded country home of Alex's parents. Shortly after their arrival, a mysterious killer appears, and things take a shockingly terribl! e turn for the worse. As the horror and body count rises, Maria and Alex find themselves fighting for their lives, and it's revealed that things are not exactly as they seem. Essentially a one-act cat-and-mouse affair, High Tension is an explosive bloody thrill ride that rarely lets up. Oozing style in every color-saturated frame and boasting some intense performances, Aja mainly succeeds in sustaining an intense momentum throughout the film. The plot occasionally suffers from a thin, flimsy storyline, and the abundant graphic scenes of violence will either thrill and delight, or simply disgust. Nonetheless, this adrenalin-fueled addition to the genre gives the American slasher flick a real run for its money. High Tension is high-art horror, and comes highly recommended. --Matt WoldHIGH TENSION is an intense game of murder and survival, which will rattle viewers to their core. Marie and Alexia are classmates and best friends who go to Alexiaâ€! ™s family home in the French countryside hoping to prepare for! their c ollege exams in peace and quiet. In the dead of night, a psychotic killer breaks into the house, and with the first swing of his knife, the girl’s idyllic weekend turns into an endless nightmare. When Alexia is captured and thrown into a van, Marie attempts to rescue her friend from the evil murderer. High Tension truly brings slasher films back to their roots with this gore-addled film, packed with blood and guts.For much of its running time, High Tension earns its title as a gory and suspenseful tale of hot pursuit. Originally titled Switchblade Romance in England, and trimmed of its most excessive gore to avoid an NC-17 rating during its brief U.S. theatrical release, this French horror film provokes a memorable case of high anxiety from its alluring female lead (Cecile de France), but it's an otherwise brainless exercise with a ludicrous conclusion that renders the entire film null and void. It's essentially a Texas Chainsaw wanna-be, which isn't s! uch a bad thing if you're a horror buff with an appetite for gruesome death at the hands of a brutal and nameless serial killer. Dressed in greasy coveralls and a baseball cap, and driving a rusty old delivery van, the killer indiscriminately destroys an entire family before chasing after the tomboyish Marie (de France), who is trapped in a nonsensical screenplay that won't let her go. With a high body count and buckets of bloodshed, High Tension has moments of delirious intensity, which is probably why Lion's Gate (bolstered by the success of Saw and other horror hits) deemed the film worthy of U.S. release with some (but not all) of its French dialogue badly dubbed in English. It's horror for die-hards only, and on those terms it's worth a look. --Jeff ShannonHIGH TENSION - DVD MovieFor much of its running time, High Tension earns its title as a gory and suspenseful tale of hot pursuit. Originally titled Switchblade Romance in England, a! nd trimmed of its most excessive gore to avoid an NC-17 rating! during its brief U.S. theatrical release, this French horror film provokes a memorable case of high anxiety from its alluring female lead (Cecile de France), but it's an otherwise brainless exercise with a ludicrous conclusion that renders the entire film null and void. It's essentially a Texas Chainsaw wanna-be, which isn't such a bad thing if you're a horror buff with an appetite for gruesome death at the hands of a brutal and nameless serial killer. Dressed in greasy coveralls and a baseball cap, and driving a rusty old delivery van, the killer indiscriminately destroys an entire family before chasing after the tomboyish Marie (de France), who is trapped in a nonsensical screenplay that won't let her go. With a high body count and buckets of bloodshed, High Tension has moments of delirious intensity, which is probably why Lion's Gate (bolstered by the success of Saw and other horror hits) deemed the film worthy of U.S. release with some (but not all) of its ! French dialogue badly dubbed in English. It's horror for die-hards only, and on those terms it's worth a look. --Jeff Shannon

Dreamer - Inspired By a True Story (Widescreen Edition)

Desolation Angels #3 (The Big Empty)

  • ISBN13: 9781595140081
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
One year ago, a devastating plague called Strain 7 killed three quarters of the human race. Around the world, power systems failed and supply chains screeched to a halt. The surviving population of the United States has been relocated to the coasts; the heartland is now a wasteland called The Big Empty. But seven teens trying to put their lives back together will learn that the abandoned zone holds danger, secrets, and above all, hope.
The Great Plains, known for grasslands that stretch to the horizon, is a difficult region to define. Some classify it as the region beginning in the east at the ninety-eighth or one-hundredth meridian. Others identify the eastern boundary with annual precipitation li! nes, soil composi-tion, or length of the grass. In The Big Empty, leading historian R. Douglas Hurt defines this region using the towns and citiesâ€"Denver, Lin-coln, and Fort Worthâ€"that made a difference in the history of the environment, politics, and agriculture of the Great Plains.

Using the voices of women homesteaders, agrarian socialists, Jewish farmers, Mexican meatpackers, New Dealers, and Native Americans, this book creates a sweeping survey of contested race relations, radical politics, and agricultural prosperity and decline during the twentieth century. This narrative shows that even though Great Plains history is fraught with personal and group tensions, violence, and distress, the twentieth century also brought about compelling social, economic, and political change.

The only book of its kind, this account will be of interest to historians studying the region and to anyone inspired by the story of the men and women who found an opportunity f! or a better life in the Great Plains.
In the third instal! lment of The Big Empty, the teens are on the run after making the shocking discovery that the leader of Novo Mundum, the secret community hidden in the middle of the evacuated Big Empty, is developing a new, even more dangerous virus.
The group faces a challenging trek through the forbidden zone as they search for someone they can trust. In a journey that will test their survival skills like nothing they've experienced so far, the teens' relationships are pushed to the breaking point, with one couple ripped apart for good. An unexpected reunion with someone from their past will prove to be a turning point-but will this familiar face bring salvation or ruin?

Creation [Blu-Ray]

  • UK Import
  • Region-Free
  • Blu-ray
From director Jon Amiel ("The Singing Detective," ENTRAPMENT) and writer John Collee (MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD) comes CREATION. A psychological, heart-wrenching love story starring Paul Bettany (A BEAUTIFUL MIND, MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD) as Charles Darwin, the film is based on “Annie’s Box,” a biography penned by Darwin’s great-great-grandson Randal Keynes using personal letters and diaries of the Darwin family. We take a unique and inside look at Darwin, his family and his love for his deeply religious wife, played by Jennifer Connelly (A BEAUTIFUL MIND, REQUIEM FOR A DREAM), as, torn between faith and science, Darwin struggles to finish his legendary book “On the Origin of Species,” which goes on to become the foundation for evolutionary biology. The film co-stars Toby Jones (FROST/NIX! ON, INFAMOUS) and Jeremy Northam (GOSFORD PARK, AMISTAD), and was produced by Jeremy Thomas (THE LAST EMPEROR, SEXY BEAST) at Recorded Picture Company with BBC Films and Ocean Pictures.More than 150 years after its publication, Charles Darwin's On the Origin of Species and its theory of natural selection remain the subject of much debate; the divide between those who accept Darwin's ideas as incontrovertible science and those who consider them blasphemous may be wider now than ever. Released in 2009, director Jon Amiel's Creation goes right to the heart of the matter--indeed, right to the heart of Darwin himself. As portrayed by Paul Bettany, the Darwin who has returned to England following his voyage aboard HMS Beagle is a man for whom "deeply conflicted" is a barely adequate description. Well aware his theory is "perhaps the most powerful idea ever to occur to a human mind," he is caught between the scientists who insist that he has "killed God" and t! he religious conservatives, including his wife Emma (Jennifer ! Connelly ), who counter that his very soul will be in peril if he finishes and publishes his book. What's more, he is haunted, sometimes literally, by the death of his favorite child, Annie (seen in frequent flashbacks), and its effect on his marriage--in fact, it is this personal angle that dominates the film. But while the toll his work has taken on his health, his faith, his family, and his very sanity is obvious, he also knows that it is far too important to ignore. Creation is not a documentary; liberties have been taken, and there are multiple sequences, including Darwin's nightmarish fever dreams, that are clearly the invention of the filmmakers. But Bettany and Connelly, who are a real-life couple, are both superb; the cinematography is gorgeous; and various scenes illustrating the notion of "survival of the fittest" in nature are riveting (there won't be a dry eye in the house when Darwin tells his dying daughter about the fate of an orangutan captured in Borneo). And! while the tone of the film would seem to favor science over religion, the DVD includes numerous bonus features in which both sides have their say. This one is not to be missed. --Sam Graham

Stills from Creation (Click for larger image)



A sweeping novel of politics, war, philosophy, and adventureâ€"in a restored edition, featuring never-before-published material from Gore Vidal’s original manuscriptâ€"Creation offers a captivating grand tour of the ancient world.
Cyrus Spitama, grandson of the prophet Zoroaster and lifelong friend of Xerxes, spent most of his life as Persian ambassador for the great king Darius. He traveled to India, where he discussed nirvana with Buddha, and to the warring states of Cathay, where he learned of Tao from Master Li and fished on the riverbank with Confucius. Now blind and aged in Athensâ€"the Athens of Pericles, Sophocles, Thucydides, Herodotus, and Socratesâ€"Cyrus recounts his days as he strives to resolve the fundamental questions that have guided his life’s journeys: how the universe was created, and why evil was created with good. In revisiting the fifth century b! .c.â€"one of the most spectacular periods in historyâ€"Gore Vidal illuminates the ideas that have shaped civilizations for millennia.
In 445 B.C., Cyrus Spitama, the grandson of the prophet Zoroaster, is the Persian ambassador to the city of Athens. He has a rather caustic appreciation of his situation: "I am blind. But I am not deaf. Because of the incompleteness of my misfortune, I was obliged yesterday to listen for nearly six hours to a self-styled historian whose account of what the Athenians like to call 'the Persian Wars' was nonsense of a sort that were I less old and more privileged, I would have risen to my seat at the Odeon and scandalized all Athens by answering him." Having thus dismissed Herodotus, Cyrus then dictates his life story to his nephew, Democritus, with similar disdain for the Greeks--whom we in the modern world have come to view as the progenitors of civilization, but whom Cyrus considers to be bad-smelling rabble.

Of co! urse, Cyrus Spitama speaks with a very modern, ironic voice s! upplied to him by Gore Vidal--and the political intrigues in which Cyrus finds himself immersed are likewise familiar territory for fans of Vidal's historical fiction. But the narrator's delightfully wicked observations are the icing on a narrative of truly epic scope--out of his desire to understand the origins of the world, Cyrus undertakes journeys to India, where he encounters disciples of the Buddha, and China, where he engages Confucius in philosophical conversation while the great sage fishes by the riverside. Creation offers insights into classical history laced with scintillating wit and narrative brio. Real-life couple Paul Bettany and Jennifer Connelly star as Charles Darwin and his wife in this biographical drama. Set before the publication of "On The Origin Of Species", 'Creation' finds Darwin grieving over the death of his daughter and feeling far away from his wife.More than 150 years after its publication, Charles Darwin's On the Origin of Species! and its theory of natural selection remain the subject of much debate; the divide between those who accept Darwin's ideas as incontrovertible science and those who consider them blasphemous may be wider now than ever. Released in 2009, director Jon Amiel's Creation goes right to the heart of the matter--indeed, right to the heart of Darwin himself. As portrayed by Paul Bettany, the Darwin who has returned to England following his voyage aboard HMS Beagle is a man for whom "deeply conflicted" is a barely adequate description. Well aware his theory is "perhaps the most powerful idea ever to occur to a human mind," he is caught between the scientists who insist that he has "killed God" and the religious conservatives, including his wife Emma (Jennifer Connelly), who counter that his very soul will be in peril if he finishes and publishes his book. What's more, he is haunted, sometimes literally, by the death of his favorite child, Annie (seen in frequent fla! shbacks), and its effect on his marriage--in fact, it is this ! personal angle that dominates the film. But while the toll his work has taken on his health, his faith, his family, and his very sanity is obvious, he also knows that it is far too important to ignore. Creation is not a documentary; liberties have been taken, and there are multiple sequences, including Darwin's nightmarish fever dreams, that are clearly the invention of the filmmakers. But Bettany and Connelly, who are a real-life couple, are both superb; the cinematography is gorgeous; and various scenes illustrating the notion of "survival of the fittest" in nature are riveting (there won't be a dry eye in the house when Darwin tells his dying daughter about the fate of an orangutan captured in Borneo). And while the tone of the film would seem to favor science over religion, the DVD includes numerous bonus features in which both sides have their say. This one is not to be missed. --Sam Graham

Stills from Creation (Click f! or larger image)





Great Lakes Select Honey, Clover, 32-Ounce Bottles (Pack of 3)

Ghosts of Cité Soleil 20x26 Framed and Double Matted Movie Poster - A

Honey and Spice: Sensual and Fierce Burlesque

  • HONEY & SPICE:SENSUAL & FIERCE BURLESQUE, WITH JO (DVD MOVIE)
A small town singer moves to the big city where she view for her chance at stardom at the sizzling burlesque nightclub. Studio: Sony Pictures Home Ent Release Date: 03/01/2011 Starring: Cher Christina Aguilera Run time: 118 minutes Rating: Pg13There is, according to Burlesque, a nightclub on the Sunset Strip that looks like a blend of Cabaret and Moulin Rouge and employs a full contingent of dancers and musicians in the service of a neo-retro-burlesque-blues program. Presiding over the craziness within is Tess, a grande dame who also performs occasionally and who could only, under these circumstances, be played by Cher. Entering the scene is a young leather-lunged hopeful from Iowa named Ali, played by Christina Aguilera in her movie-acting debut. The vibe of this glitzy concoction is more Flashdance than Showgirls, despite prerelease predictions that the film would be a campfest of epic proportions. In fact, it's more cornball than trashy. Ali hits most of the clichés of the genre: defying Tess's skepticism by proving her mettle during an impromptu stage number; flirting with the nice-guy bartender (Cam Gigandet, of Twilight) whose home she shares for a while, in a purely platonic way, of course, just until she gets her feet on the ground; and keeping a wary eye on the high roller (Eric Dane, of Grey's Anatomy) who wants to possess her, because, you see, he takes whatever he likes. And did we mention that Tess is facing foreclosure on the club in a month's time? Seriously, you didn't see that coming? Writer-director Steve Antin has no embarrassment about putting any of this across, which may be why it all feels weirdly innocent, if relentlessly silly. Stanley Tucci revives his gay assistant from The Devil Wears Prada, Alan Cumming lurks a! bout in an undefined role that might well have been filmed mon! ths afte r everybody else, and Kristen Bell enjoys a few wicked-witch moments as Ali's main rival. Aguilera, needless to say, belts out her songs as only someone with a very large voice can, and Cher stops the show with an old-fashioned torch song ("You Haven't Seen the Last of Me") that is clearly designed as a roof-raiser. (And, by gum, it works.) This is a ridiculous movie, but it gets points for never claiming to be anything else. --Robert HortonA small town singer moves to the big city where she view for her chance at stardom at the sizzling burlesque nightclub. Studio: Sony Pictures Home Ent Release Date: 03/01/2011 Starring: Cher Run time: 119 minutes Rating: Pg13There is, according to Burlesque, a nightclub on the Sunset Strip that looks like a blend of Cabaret and Moulin Rouge and employs a full contingent of dancers and musicians in the service of a neo-retro-burlesque-blues program. Presiding over the craziness within is Tess, a grande dame! who also performs occasionally and who could only, under these circumstances, be played by Cher. Entering the scene is a young leather-lunged hopeful from Iowa named Ali, played by Christina Aguilera in her movie-acting debut. The vibe of this glitzy concoction is more Flashdance than Showgirls, despite prerelease predictions that the film would be a campfest of epic proportions. In fact, it's more cornball than trashy. Ali hits most of the clichés of the genre: defying Tess's skepticism by proving her mettle during an impromptu stage number; flirting with the nice-guy bartender (Cam Gigandet, of Twilight) whose home she shares for a while, in a purely platonic way, of course, just until she gets her feet on the ground; and keeping a wary eye on the high roller (Eric Dane, of Grey's Anatomy) who wants to possess her, because, you see, he takes whatever he likes. And did we mention that Tess is facing foreclosure on the club in a month's time? S! eriously, you didn't see that coming? Writer-director Steve An! tin has no embarrassment about putting any of this across, which may be why it all feels weirdly innocent, if relentlessly silly. Stanley Tucci revives his gay assistant from The Devil Wears Prada, Alan Cumming lurks about in an undefined role that might well have been filmed months after everybody else, and Kristen Bell enjoys a few wicked-witch moments as Ali's main rival. Aguilera, needless to say, belts out her songs as only someone with a very large voice can, and Cher stops the show with an old-fashioned torch song ("You Haven't Seen the Last of Me") that is clearly designed as a roof-raiser. (And, by gum, it works.) This is a ridiculous movie, but it gets points for never claiming to be anything else. --Robert HortonBurlesque Beat is not just another aerobic exercise program, it combines exciting dance moves with exotic stretches to create an all over cardio and body sculpting workout. Burlesque Beat is a dance-inspired fitness class full of fun achievable moves! designed to turn you into a vibrant, sexy woman. Rodney James, one of Australia's most respected, passionate and inspirational fitness instructors, shows you the body-shaping benefits of dance which he uncovered during a successful international performance career. His enthusiasm and true passion for dance dissolves doubts and self-consciousness, enabling the most timid individual to move more confidently than ever. Rodney s video instruction has a room full of beautiful models to demonstrate to you all the sexy moves you ll need to know.The Honey & Spice instructional video explores two styles of burlesque: Sensual and Fierce. Burlesque is a sophisticated theatrical art with a long history, many subgenres and a wide range of flavors from classic to neo-burlesque. Burlesque combines elements of acting, modeling and dance. It cultivates confidence, bold femininity, and a sense of humor.

Created by Jo Weldon, the Headmistress and Founder of the New York School of Bu! rlesque, the program features two burlesque routines set to au! thentic burlesque music. The emphasis of both routines is on understanding the art of concealing and revealing. While burlesque has its own classic moves and steps, any burlesque routine can be personalized by adding steps from your favorite form of dance or from other variety arts.

The Honey routine is a tantalizing, sensual dance, performed with a feather boa. It is playful, funny, and very graceful. You will learn how to work with the boa, how to peel off your gloves, how to interact with your audience, and how to be sexy and confident on stage.

The Spice routine is based on the burlesque staple, Bump & Grind. It is high-energy, sexy, rhythmic, and glamorous. You will learn different types of bumps, various burlesque walks, and classic burlesque poses. In the Spice routine you will also learn how to project the burlesque attitude, that sexy confidence you need to amaze and charm any audience.

Jo demonstrates the routines and then breaks down each sectio! n step-by-step. Every routine consists of 5 combinations. The DVD chaptering allows you to navigate easily between combinations, both in the demonstrations and in the breakdowns, for easy review and practice.

Additional technique and practice sections include a warmup, a sensual burlesque movement series, and the basics of bump & Grind. Jo also discusses burlesque costumes and offers tips for using certain special items of clothing as props: You will learn how to make a theatrical event out of peeling off your stockings and gloves, and taking off your corset. Special DVD Extras demonstrate the basics of Tassel Twirling and show different types of pasties and how to attach them.

Both routines in this program are based on the classic burlesque [striptease] tradition. Jo teaches moves she learned from women who performed burlesque in the 1930s through the 1960s. Jo s fascination with classic burlesque brought her to study with Dixie Evans, Sherry Britton, Tur! a Satana, Satan's Angel, Dee Milo, Toni Elling, and other lege! nds of b urlesque. Jo Weldon is the Co-Executive Director of Education for The Burlesque Hall of Fame, Las Vegas, as well as the Coordinator of The Burlesque Master Class at Coney Island, where the best of New York's amazing neo-burlesque performers come together to present their most outrageous and iconoclastic acts.

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