Clash of the Titans [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Widescreen; Subtitled

In Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny."Release the Kraken!" Ah, it could only be Clash of the Titans, the 2010 remake that retains the instruction to unleash the great beas! tie from the sea. The 1981 original boasted Ray Harryhausen's legendary stop-motion technique of animating various mythological creatures--it was his final feature project--and given the cornball approach of the movie in general, that was the main draw. The remake supplies new state-of-the-art special effects (it was released in theaters in 3-D) and a nicely muscular sense of momentum. Sam Worthington (the Avatar guy) plays Perseus, a demigod who doesn't know that Zeus (Liam Neeson) is his father. Perseus is selected to lead an expedition to find and slay the Medusa, lest Zeus's evil brother Hades (Ralph Fiennes, in fine slinking mode) rain down misery upon a seaport--and you just know that means the Kraken is coming. Ye gods, it's a mess, and we haven't even mentioned the witches and the harpies and the giant scorpions. But if we did, it would be clear that Clash of the Titans is a perfectly dandy popcorn epic, unpretentious and punchy. Director Louis Leterri! er (Transporter 2) gets a fine rhythm going during Pers! eus's tr ek, and you can even forgive the hokey shafts-of-light-through-clouds look of Olympus. Leterrier also had the good sense to import the marvelous Danish star Mads Mikkelsen to provide mentoring duties to Perseus; Gemma Arterton and Alexa Davalos fulfill the eye-candy roles. It's up to individual viewers to choose which they prefer--Harryhausen's magically hand-wrought creations (his Medusa sequence is an absolute killer) or the 21st century's slick computer-generated variations. But nostalgia aside, it would be hard to deny that this is one case where the remake tops the original. --Robert HortonIn Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a da! ngerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny."Release the Kraken!" Ah, it could only be Clash of the Titans, the 2010 remake that retains the instruction to unleash the great beastie from the sea. The 1981 original boasted Ray Harryhausen's legendary stop-motion technique of animating various mythological creatures--it was his final feature project--and given the cornball approach of the movie in general, that was the main draw. The remake supplies new state-of-the-art special effects (it was released in theaters in 3-D) and a nicely muscular sense of momentum. Sam Worthington (the Avatar guy) plays Perseus, a demigod who doesn't know that Zeus (Liam Neeson) is his father. Perseus is selected to lead an expedition to find and slay the! Medusa, lest Zeus's evil brother Hades (Ralph Fiennes, in fin! e slinki ng mode) rain down misery upon a seaport--and you just know that means the Kraken is coming. Ye gods, it's a mess, and we haven't even mentioned the witches and the harpies and the giant scorpions. But if we did, it would be clear that Clash of the Titans is a perfectly dandy popcorn epic, unpretentious and punchy. Director Louis Leterrier (Transporter 2) gets a fine rhythm going during Perseus's trek, and you can even forgive the hokey shafts-of-light-through-clouds look of Olympus. Leterrier also had the good sense to import the marvelous Danish star Mads Mikkelsen to provide mentoring duties to Perseus; Gemma Arterton and Alexa Davalos fulfill the eye-candy roles. It's up to individual viewers to choose which they prefer--Harryhausen's magically hand-wrought creations (his Medusa sequence is an absolute killer) or the 21st century's slick computer-generated variations. But nostalgia aside, it would be hard to deny that this is one case where the remake tops ! the original. --Robert Horton

An Affair Without End

• ISBN13: 9781439117996
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

If a sophisticated beauty proposes a clandestine affair, could even the most proper gentleman resist? New York Times bestselling author Candace Camp concludes her scintillating Willowmere series with a seductive tale of an alluring lady who dares to break the rules. . . .

When Oliver, Earl of Stewkesbury, asks the dashing Lady Vivian Carlyle to ensure that his American cousins meet the cream of London society, he doesn’t anticipate the danger she will pose to his own self-control. Thrown into intimate contact with the lovely lady, Oliver finds he cannot stop thinking of Vivianâ€"of her wit, of her smile . . . of her lips. And when Vivian, who has sworn never to subject herself to the! bonds of matrimony, boldly suggests that she and Oliver become lovers instead, her scandalous proposal is temptation indeed! But with an alarming series of jewel thefts rocking London, the ever-outrageous Vivian insists on trying to discover the perpetrator despite Oliver’s admonitions. And when a bold lady steps into danger, it is a gentleman’s duty to protect her at all costs. What neither Oliver nor Vivian can anticipate, however, is that the ultimate cost may be both their hearts. . . .

Dead & Buried (Limited Edition)

• DEAD & BURIED LIMITED EDITION 2-DISC (DVD MOVIE)

Paul Conroy is not ready to die. But when he wakes up six feet underground with no idea of who put him there or why, life for the truck driver and family man instantly becomes a hellish struggle for survival. Buried with only a cell phone and a lighter, his contact with the outside world and ability to piece together clues that could help him discover his location are maddeningly limited. Poor reception, a rapidly draining battery, and a dwindling oxygen supply become his worst enemies in a tightly confined race against time; fighting panic, despair and delirium, Paul has only ninety minutes to be rescued before his worst nightmare comes true.Alfred Hitchcock, eat your heart out. Sure, the master of suspense set himself some tough challenges with limited scenarios: Lifeboat took place entirely within the title craft, Rear Window d! idn't stray from Jimmy Stewart's apartment, and Rope stuck mostly to an unbroken take. But Spanish director Rodrigo Cortés wants to do the master one better: Buried is set inside a coffin, buried beneath a few feet of immovable earth. Paul Conroy (Ryan Reynolds) wakes up inside the coffin, a cell phone and lighter next to him; for the next 90 minutes, we won't leave the narrow space of that wooden box. No cheats: no flashbacks to Paul's past, no cross-cutting with efforts to free him. Cortés sticks to the rules and follows his story out to its conclusion, and in the process he must think of every possible way to shoot and light someone in a confined space. Seems Paul was in Iraq as a non-military truck driver when he got caught in some crossfire, and somebody wants to make a point. The cell phone allows him to speak, and try to puzzle out what's happening, but except for the voices on the other end, this is entirely Ryan Reynolds's show. The actor is up for ! it: although he can't use his body, he calls on both his actio! n-movie chops and (at certain exasperating moments) his comic talents. By definition, this is a bravura turn, and Reynolds comes through firing on all cylinders. Buried is an exercise, but it manages to sneak in a few sly suggestions about the nature of an American's presence in the Middle East. It even earns points for an excellent credits sequence--a clever nod to Hitchcock classics. Somehow you suspect the master would approve. --Robert Horton'Buried': Book two in the 'Serenity' Series.

*Warning: this blurb contains spoilers if you have not already read 'Alone'*

Four years after the horrific murder of her husband, Serenity is living a new life and finally putting the terrifying events behind her. Though now a stronger person, her heart craves the vampire who gave her the strength to change her life.

Desperate to forget Serenity, Sebastian hides away in the underground tunnels of Goreme, Turkey, and has thrown himself into an existen! ce of darkness and blood.

But rumours are abound of something unnatural existing, something with the strength of a vampire but that can walk in the light.

And a murderer is on the loose in Angeles Forest, someone who is killing with the ferocity of a beast. The killer is moving closer and closer to the city, searching for something...


Book 3 in the series, 'Captured' will be published early 2012.
'Buried': Book two in the 'Serenity' Series.

*Warning: this blurb contains spoilers if you have not already read 'Alone'*

Four years after the horrific murder of her husband, Serenity is living a new life and finally putting the terrifying events behind her. Though now a stronger person, her heart craves the vampire who gave her the strength to change her life.

Desperate to forget Serenity, Sebastian hides away in the underground tunnels of Goreme, Turkey, and has thrown himself into an existence of darkness and bl! ood.

But rumours are abound of something unnatural exi! sting, s omething with the strength of a vampire but that can walk in the light.

And a murderer is on the loose in Angeles Forest, someone who is killing with the ferocity of a beast. The killer is moving closer and closer to the city, searching for something...


Book 3 in the series, 'Captured' will be published early 2012.
DEAD AND BURIED - DVD MovieOverlooked during its theatrical run but a cult favorite on video, this unique and chilling take on the zombie film finally joins the digital ranks with a two-DVD set from Blue Underground. James Farentino stars as a small-town sheriff who discovers that the victims in a string of grisly murders are reappearing seemingly alive and unharmed. His investigation leads him to suspect that the local mortician (Jack Albertson) is somehow responsible for these reanimated corpses; what Farentino doesn't know is the extent to which the entire town-himself included-is involved. First-time viewers will appreciate director Gary ! Sherman's attention to pacing and atmosphere, as well as the often darkly humorous script by co-producer Ronald Shusett and Dan O'Bannon (Alien, Total Recall) and the solid cast (which includes future horror star Robert Englund); longtime fans will appreciate the fact that Blue Underground's uncut print restores many of Stan Winston's gruesome special effects. --Paul Gaita

Historic El Cortez Hotel Neon sign on Freemont Street in Las Vegas, Nevada - 16"x20" - Fine-Art Gicl??e Photographic Print by Carol M. Highsmith

• Historic El Cortez Hotel Neon sign on Freemont Street in Las Vegas, Nevada
• Photographer Carol M. Highsmith
• Photographs America offers thousands of landscape and city views. As well as thousands of historic prints from the Library of Congress Collection.
• Each print is carefully packaged in either a strong card-board tube, or in a heavy duty card-board envelope to insure safe arrival.
• Each print is custom printed using the fine-art giclee process.

Studio: Monarch Video Assoc. Release Date: 12/09/2008 Run time: 94 minutes Rating: REL CORTEZ - DVD MoviePhotographs America presents thousands of stunning, keepsake, and whimsical photographic prints by noted American photographer Carol M. Highsmith and landscape photographer Brendan Reals, as well as thousands more custom-corrected prints of vintage photographs from the Library of Congress collection. The images de! pict every region and every state: scenic landscapes, city skylines, aerial and small-town scenes, rustic rural views, Civil War sites, classic American landmarks, majestic national and state parks, intricate architectural details, fine art, animals, humorous situations, historic color and B&W photographs and engravings, vintage circus posters, World War I and II posters, and W.P.A. posters. Most photographs enlarge beautifully into the dimensions ordered. Square and other irregular-size photographs will be printed at the maximum size that best maintains their visual quality; these prints may be somewhat larger or smaller than the dimensions ordered.

Being John Malkovich

• Special Edition
• 3 Academy Award Nominations

CRAIG, A STRUGGLING PUPPETEER ACCIDENTALLY DISCOVERS A PORTAL LEADING INTO THE BRAIN OF JOHN MALKOVICH. FOR 15 MINUTES, HEEXPERIENCES THE ULTIMATE HEAD TRIP-HE IS JOHN MALKOVICH! THEN HE IS DUMPED ONTO THE NEW JERSEY TURNPIKE!While too many movies suffer the fate of creative bankruptcy,Being John Malkovich is a refreshing study in contrast, so bracingly original that you'll want to send director Spike Jonze and screenwriter Charlie Kaufman a thank-you note for restoring your faith in the enchantment of film. Even if it ultimately serves little purpose beyond the thrill of comedic invention, this demented romance is gloriously entertaining, spilling over with ideas that tickle the brain and even touch the heart. That's to be expected in a movie that dares to ponder the existential dilemma of a forlorn puppeteer (John Cusack) who discov! ers a metaphysical portal into the brain of actor John Malkovich.

The puppeteer's working as a file clerk on the seventh-and-a-half floor of a Manhattan office building; this idea alone might serve as the comedic basis for an entire film, but Jonze and Kaufman are just getting started. Add a devious coworker (Catherine Keener), Cusack's dowdy wife (a barely recognizable Cameron Diaz), and a business scheme to capitalize on the thrill of being John Malkovich, and you've got a movie that just gets crazier as it plays by its own outrageous rules. Malkovich himself is the film's pièce de résistance, riffing on his own persona with obvious delight and--when he enters his own brain via the portal--appearing with multiple versions of himself in a tour-de-force use of digital trickery. Does it add up to much? Not really. But for 112 liberating minutes, Being John Malkovich is a wild place to visit. --Jeff ShannonWhile too many movies suffer the fate of creative b! ankruptcy, "Being John Malkovich" is a refreshing study in con! trast, s o bracingly original that you'll want to send director Spike Jonze and screenwriter Charlie Kaufman a thank-you note for restoring your faith in the enchantment of film. Even if it ultimately serves little purpose beyond the thrill of comedic invention, this demented romance is gloriously entertaining, spilling over with ideas that tickle the brain and even touch the heart. That's to be expected in a movie that dares to ponder the existential dilemma of a forlorn puppeteer (John Cusack) who discovers a metaphysical portal into the brain of actor John Malkovich.\n The puppeteer's working as a file clerk on the seventh-and-a-half floor of a Manhattan office building; this idea alone might serve as the comedic basis for an entire film, but Jonze and Kaufman are just getting started. Add a devious coworker (Catherine Keener), Cusack's dowdy wife (a barely recognizable Cameron Diaz), and a business scheme to capitalize on the thrill of being John Malkovich, and you'v! e got a movie that just gets crazier as it plays by its own outrageous rules. Malkovich himself is the film's pi?®ce de r?©sistance, riffing on his own persona with obvious delight and--when he enters his own brain via the portal--appearing with multiple versions of himself in a tour-de-force use of digital trickery. Does it add up to much? Not really. But for 112 liberating minutes, "Being John Malkovich" is a wild place to visit. "--Jeff Shannon"While too many movies suffer the fate of creative bankruptcy,Being John Malkovich is a refreshing study in contrast, so bracingly original that you'll want to send director Spike Jonze and screenwriter Charlie Kaufman a thank-you note for restoring your faith in the enchantment of film. Even if it ultimately serves little purpose beyond the thrill of comedic invention, this demented romance is gloriously entertaining, spilling over with ideas that tickle the brain and even touch the heart. That's to be expected in ! a movie that dares to ponder the existential dilemma of a forl! orn pupp eteer (John Cusack) who discovers a metaphysical portal into the brain of actor John Malkovich.

The puppeteer's working as a file clerk on the seventh-and-a-half floor of a Manhattan office building; this idea alone might serve as the comedic basis for an entire film, but Jonze and Kaufman are just getting started. Add a devious coworker (Catherine Keener), Cusack's dowdy wife (a barely recognizable Cameron Diaz), and a business scheme to capitalize on the thrill of being John Malkovich, and you've got a movie that just gets crazier as it plays by its own outrageous rules. Malkovich himself is the film's pièce de résistance, riffing on his own persona with obvious delight and--when he enters his own brain via the portal--appearing with multiple versions of himself in a tour-de-force use of digital trickery. Does it add up to much? Not really. But for 112 liberating minutes, Being John Malkovich is a wild place to visit. --Jeff Shannon

Hannibal Rising (Unrated Widescreen Edition)

• In Red Dragon we learned who he was. In Silence of the Lambs, we learned how he did it. Now comes the most chilling chapter in the saga of Hannibal Lecter the one that answers the most elusive question of all why? Written by Thomas Harris, the best-selling author of the Hannibal book series, this fascinating and terrifying journey into the making of a monster (Pete Hammond, Maxim), reveals for the

(Horror/Suspense) The terrifying Silence of the Lambs prequel that reveals the history of the infamous Hannibal and how he came to be a cannibalistic murderer.Though Hannibal Rising's Lecter (Gaspard Ulliel) is a pussycat compared to Anthony Hopkins in Silence of the Lambs, this sequel's story of revenge is grizzly enough to satisfy lovers of Thomas Harris's epic tale. After young Hannibal (Aaron Thomas) is forced to watch his little sister, Mischa (Helena Lia Tachovska), devoured by s! tarving soldiers in his homeland Lithuania, Hannibal vows to avenge his sister's death by slaying those who committed not only war crimes against the Lecters, but also against other families during WW II. In detailing Hannibal's revenge plan, the film investigates the psychological implications of witnessing cannibalism to justify Hannibal's insatiable appetite for human flesh. The most interesting aspect of Hannibal Risingâ€"its analytical connections drawn between Hannibal's childhood traumas and his murderous adult obsessionsâ€"is also the film's weak point. The links oversimplify Lecter's complex character. For example, though titillating to see flashbacks of Lecter's sister hacked up and boiled while Lecter visits a Parisian meat market, the reference is too obvious. One learns why he excels in his medical school classes dissecting cadavers, and we're given explicit explanation for why he slices off and eats his victims' cheeks. The story only complicates when H! annibal interacts with his sexy Aunt, Lady Murasaki (Gong Li).! When Mu rasaki educates him in the art of beheading, the viewer sees Hannibal's sword fetish as a manifestation of physical lust. --Trinie Dalton

HOSTEL PART II 2 "D" 27X40 ORIGINAL S/S MOVIE POSTER

• 27x40 inches (approximate dimensions).
• Poster is single sided.
• This poster is an authentic original movie theater poster issued by the studio.
• Makes a great gift!

No Description Available.
Genre: Horror
Rating: UN
Release Date: 23-OCT-2007
Media Type: DVDWith repulsion levels at least comparable to Cannibal Holocaust, Herschell Gordon Lewis' Blood Feast, and other gory slasher landmarks, Eli Roth's Hostel 2 reconfigures ideas of violence to test how down and dirty a horror film can get. The film raises the stakes, leaving those who wish to make a sicker film out in the lurch for the time being. This sequel, like the first Hostel, is set in and around a Slovakian factory where European students are kidnapped, tortured, and killed by rich businessmen who pay enormous sums to experience death firsthand.! An international elite, all tattooed with a bulldog insignia, bid on young people to slaughter in a mob-organized, high-end, sex-slave trade catering to those with a death fetish. In Hostel 2, three girls from Rome, Beth (Laura German), Whitney (Bijou Phillips), and Lorna (Heather Matarazzo), are lured to Slovakia by a sultry, vampiric hottie (Vera Jordonova) who modeled for them in figure drawing class. Sidetracked and disoriented by some Pagan Slovakian festivals and luxurious hot springs, the girls slip away one by one, until the film moves inside the torture chambers. One client sits in a bathtub beneath her victim, who she slices with a scythe to bathe in blood, Elizabeth Bathory-style. Body parts fly as clients entering the facilities select their weapons of choice in a room full of knives, power tools, and rubber clothing. As ridiculous as it sounds, haunting soundtrack and cinematography set a disturbing mood. Morbid humor, for example when a chainsaw unplug! s centimeters from a victim's face, pays homage to Hostel 2! 's s chlocky predecessors. Fortunately, one survivor remains, providing an ounce of vengeful, and sexy, satisfaction. As in the best exploitation films, gratuitous sex and violence are the norm here. What will be a warning to some to avoid this gruesome movie will be to others a cue to head straight to the theater. --Trinie DaltonHOSTEL PART II - Blu-Ray MovieWith repulsion levels at least comparable to Cannibal Holocaust, Herschell Gordon Lewis' Blood Feast, and other gory slasher landmarks, Eli Roth's Hostel 2 reconfigures ideas of violence to test how down and dirty a horror film can get. The film raises the stakes, leaving those who wish to make a sicker film out in the lurch for the time being. This sequel, like the first Hostel, is set in and around a Slovakian factory where European students are kidnapped, tortured, and killed by rich businessmen who pay enormous sums to experience death firsthand. An international elite, all tattooed wit! h a bulldog insignia, bid on young people to slaughter in a mob-organized, high-end, sex-slave trade catering to those with a death fetish. In Hostel 2, three girls from Rome, Beth (Laura German), Whitney (Bijou Phillips), and Lorna (Heather Matarazzo), are lured to Slovakia by a sultry, vampiric hottie (Vera Jordonova) who modeled for them in figure drawing class. Sidetracked and disoriented by some Pagan Slovakian festivals and luxurious hot springs, the girls slip away one by one, until the film moves inside the torture chambers. One client sits in a bathtub beneath her victim, who she slices with a scythe to bathe in blood, Elizabeth Bathory-style. Body parts fly as clients entering the facilities select their weapons of choice in a room full of knives, power tools, and rubber clothing. As ridiculous as it sounds, haunting soundtrack and cinematography set a disturbing mood. Morbid humor, for example when a chainsaw unplugs centimeters from a victim's face, pays ! homage to Hostel 2's schlocky predecessors. Fortunately! , one su rvivor remains, providing an ounce of vengeful, and sexy, satisfaction. As in the best exploitation films, gratuitous sex and violence are the norm here. What will be a warning to some to avoid this gruesome movie will be to others a cue to head straight to the theater. --Trinie DaltonHephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book contains chapters focused on Films set in Slovakia, and Hostel films.Poster will be rolled in a plastic sleeve and then shipped inside a custom made thick tube for extra protection! .

Gunner Palace DVD

• American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations DVD Features: , Available Subtitles: English , Available Audi

Genre: Education/General Interest, War, Documentary, Theatrical Release, Soldiers, Military (Usa), Weapons, Saddam Hussein Director: Mike Tucker Description: In this striking documentary shot in 2003, early on in the US-led war on Iraq, a group of American soldiers in Baghdad who have taken over a bombed-out palace that belonged to Uday Hussein, the son of Saddam Hussein, offer the camera a view on their world. While they party poolside for most of the day and lead raids on homes of suspected bom! b-builders most nights, they also have a lot to say about the war and their situation. Rapping to each other or to the camera, they use rhyme to speak their minds about various aspects of the war, their day-to-day duties, and life in Iraq. Their youth and immaturity is striking, as is the war itself and the nebulous reasons that they are stationed there. While the primary purpose of GUNNER PALACE is to give the perspective of the soldiers, secondarily viewers get a glimpse of Iraqi civilians and how they react to the US military presence--some are terrified, others are skeptical, still others are compliant and grateful if not totally sure why. However, giving voice to the soldiers remains the film's major theme, and for this reason, filmmakers Michael Tucker and Petra Epperlein appealed the original R-rating given to the film by the MPAA, and won. With a PG-13 rating, filmmakers explained, teenagers considering military careers can watch the film and benefit from seeing sol! diers in combat and hearing them talk about what it's like. ! Releas e Notes: DVD Features: Region (unknown) Audio: Stereo 2.0 Surround Sound 5.1 Additional Release Material: Deleted Scenes U.S. Theatrical Trailer DVD Rom Features: WeblinksGunner Palace may well prove to be the emblematic film of the Iraq war, offering a yet-to-be rivaled level of intimacy with the inner lives of those who hate war more than anyone--the soldiers who have to fight it. A war documentary seemingly without an agenda, at least in political terms, it appears to neither support left-wing nor right-wing interpretations of the Iraq war (or perhaps it supports both). Director Michael Tucker provides a ground-level view of the conflict by closely following members of the 2/3 Field Artillery. He lived with these soldiers, documented their daily lives in a bombed-out former pleasure palace once belonging to Uday Hussein, accompanied them on raids, and recorded their brutally honest observations on film. We learn that mortar attacks typically fail to rattle the tr! oops, but that paper bags or packages in the streets that may contain Improvised Explosive Devices evoke gut-churning anxiety. We see Iraqi civilians whose homes are raided, cowering with fear as these members of the occupation search for contraband weapons. We meet soldiers who express profound doubts about the morality of their mission, soldiers who earnestly hope they’re helping the people of Iraq, soldiers who roll on the ground with laughter at the ineffective armor they've been provided for their Humvees. Most of these men (and occasionally women) hail from small towns and vacillate between exaltation for the adventure they're experiencing on the world stage and deep confusion and disillusionment at how it's proceeding. At one point in the documentary, Tucker returns to his home in the states; some footage of him making breakfast in his kitchen is shocking when one considers that only twelve hours previous he was in a war zone. Gunner Palace recapitulates thi! s dissonant sensation by virtue of its candor and proximity to! the con flict. In the 1970s the major broadcast media brought Vietnam into our living rooms via the nightly news. Gunner Palace, practically by itself, provides the same service today. --Ryan Boudinot