Thursday, December 29, 2011

Being John Malkovich

  • Special Edition
  • 3 Academy Award Nominations
CRAIG, A STRUGGLING PUPPETEER ACCIDENTALLY DISCOVERS A PORTAL LEADING INTO THE BRAIN OF JOHN MALKOVICH. FOR 15 MINUTES, HEEXPERIENCES THE ULTIMATE HEAD TRIP-HE IS JOHN MALKOVICH! THEN HE IS DUMPED ONTO THE NEW JERSEY TURNPIKE!While too many movies suffer the fate of creative bankruptcy,Being John Malkovich is a refreshing study in contrast, so bracingly original that you'll want to send director Spike Jonze and screenwriter Charlie Kaufman a thank-you note for restoring your faith in the enchantment of film. Even if it ultimately serves little purpose beyond the thrill of comedic invention, this demented romance is gloriously entertaining, spilling over with ideas that tickle the brain and even touch the heart. That's to be expected in a movie that dares to ponder the existential dilemma of a forlorn puppeteer (John Cusack) who discov! ers a metaphysical portal into the brain of actor John Malkovich.

The puppeteer's working as a file clerk on the seventh-and-a-half floor of a Manhattan office building; this idea alone might serve as the comedic basis for an entire film, but Jonze and Kaufman are just getting started. Add a devious coworker (Catherine Keener), Cusack's dowdy wife (a barely recognizable Cameron Diaz), and a business scheme to capitalize on the thrill of being John Malkovich, and you've got a movie that just gets crazier as it plays by its own outrageous rules. Malkovich himself is the film's pièce de résistance, riffing on his own persona with obvious delight and--when he enters his own brain via the portal--appearing with multiple versions of himself in a tour-de-force use of digital trickery. Does it add up to much? Not really. But for 112 liberating minutes, Being John Malkovich is a wild place to visit. --Jeff ShannonWhile too many movies suffer the fate of creative b! ankruptcy, "Being John Malkovich" is a refreshing study in con! trast, s o bracingly original that you'll want to send director Spike Jonze and screenwriter Charlie Kaufman a thank-you note for restoring your faith in the enchantment of film. Even if it ultimately serves little purpose beyond the thrill of comedic invention, this demented romance is gloriously entertaining, spilling over with ideas that tickle the brain and even touch the heart. That's to be expected in a movie that dares to ponder the existential dilemma of a forlorn puppeteer (John Cusack) who discovers a metaphysical portal into the brain of actor John Malkovich.\n The puppeteer's working as a file clerk on the seventh-and-a-half floor of a Manhattan office building; this idea alone might serve as the comedic basis for an entire film, but Jonze and Kaufman are just getting started. Add a devious coworker (Catherine Keener), Cusack's dowdy wife (a barely recognizable Cameron Diaz), and a business scheme to capitalize on the thrill of being John Malkovich, and you'v! e got a movie that just gets crazier as it plays by its own outrageous rules. Malkovich himself is the film's pi?®ce de r?©sistance, riffing on his own persona with obvious delight and--when he enters his own brain via the portal--appearing with multiple versions of himself in a tour-de-force use of digital trickery. Does it add up to much? Not really. But for 112 liberating minutes, "Being John Malkovich" is a wild place to visit. "--Jeff Shannon"While too many movies suffer the fate of creative bankruptcy,Being John Malkovich is a refreshing study in contrast, so bracingly original that you'll want to send director Spike Jonze and screenwriter Charlie Kaufman a thank-you note for restoring your faith in the enchantment of film. Even if it ultimately serves little purpose beyond the thrill of comedic invention, this demented romance is gloriously entertaining, spilling over with ideas that tickle the brain and even touch the heart. That's to be expected in ! a movie that dares to ponder the existential dilemma of a forl! orn pupp eteer (John Cusack) who discovers a metaphysical portal into the brain of actor John Malkovich.

The puppeteer's working as a file clerk on the seventh-and-a-half floor of a Manhattan office building; this idea alone might serve as the comedic basis for an entire film, but Jonze and Kaufman are just getting started. Add a devious coworker (Catherine Keener), Cusack's dowdy wife (a barely recognizable Cameron Diaz), and a business scheme to capitalize on the thrill of being John Malkovich, and you've got a movie that just gets crazier as it plays by its own outrageous rules. Malkovich himself is the film's pièce de résistance, riffing on his own persona with obvious delight and--when he enters his own brain via the portal--appearing with multiple versions of himself in a tour-de-force use of digital trickery. Does it add up to much? Not really. But for 112 liberating minutes, Being John Malkovich is a wild place to visit. --Jeff Shannon

Sunday, December 25, 2011

Hannibal Rising (Unrated Widescreen Edition)

  • In Red Dragon we learned who he was. In Silence of the Lambs, we learned how he did it. Now comes the most chilling chapter in the saga of Hannibal Lecter the one that answers the most elusive question of all why? Written by Thomas Harris, the best-selling author of the Hannibal book series, this fascinating and terrifying journey into the making of a monster (Pete Hammond, Maxim), reveals for the
(Horror/Suspense) The terrifying Silence of the Lambs prequel that reveals the history of the infamous Hannibal and how he came to be a cannibalistic murderer.Though Hannibal Rising's Lecter (Gaspard Ulliel) is a pussycat compared to Anthony Hopkins in Silence of the Lambs, this sequel's story of revenge is grizzly enough to satisfy lovers of Thomas Harris's epic tale. After young Hannibal (Aaron Thomas) is forced to watch his little sister, Mischa (Helena Lia Tachovska), devoured by s! tarving soldiers in his homeland Lithuania, Hannibal vows to avenge his sister's death by slaying those who committed not only war crimes against the Lecters, but also against other families during WW II. In detailing Hannibal's revenge plan, the film investigates the psychological implications of witnessing cannibalism to justify Hannibal's insatiable appetite for human flesh. The most interesting aspect of Hannibal Risingâ€"its analytical connections drawn between Hannibal's childhood traumas and his murderous adult obsessionsâ€"is also the film's weak point. The links oversimplify Lecter's complex character. For example, though titillating to see flashbacks of Lecter's sister hacked up and boiled while Lecter visits a Parisian meat market, the reference is too obvious. One learns why he excels in his medical school classes dissecting cadavers, and we're given explicit explanation for why he slices off and eats his victims' cheeks. The story only complicates when H! annibal interacts with his sexy Aunt, Lady Murasaki (Gong Li).! When Mu rasaki educates him in the art of beheading, the viewer sees Hannibal's sword fetish as a manifestation of physical lust. --Trinie Dalton

Friday, December 16, 2011

HOSTEL PART II 2 "D" 27X40 ORIGINAL S/S MOVIE POSTER

  • 27x40 inches (approximate dimensions).
  • Poster is single sided.
  • This poster is an authentic original movie theater poster issued by the studio.
  • Makes a great gift!
No Description Available.
Genre: Horror
Rating: UN
Release Date: 23-OCT-2007
Media Type: DVDWith repulsion levels at least comparable to Cannibal Holocaust, Herschell Gordon Lewis' Blood Feast, and other gory slasher landmarks, Eli Roth's Hostel 2 reconfigures ideas of violence to test how down and dirty a horror film can get. The film raises the stakes, leaving those who wish to make a sicker film out in the lurch for the time being. This sequel, like the first Hostel, is set in and around a Slovakian factory where European students are kidnapped, tortured, and killed by rich businessmen who pay enormous sums to experience death firsthand.! An international elite, all tattooed with a bulldog insignia, bid on young people to slaughter in a mob-organized, high-end, sex-slave trade catering to those with a death fetish. In Hostel 2, three girls from Rome, Beth (Laura German), Whitney (Bijou Phillips), and Lorna (Heather Matarazzo), are lured to Slovakia by a sultry, vampiric hottie (Vera Jordonova) who modeled for them in figure drawing class. Sidetracked and disoriented by some Pagan Slovakian festivals and luxurious hot springs, the girls slip away one by one, until the film moves inside the torture chambers. One client sits in a bathtub beneath her victim, who she slices with a scythe to bathe in blood, Elizabeth Bathory-style. Body parts fly as clients entering the facilities select their weapons of choice in a room full of knives, power tools, and rubber clothing. As ridiculous as it sounds, haunting soundtrack and cinematography set a disturbing mood. Morbid humor, for example when a chainsaw unplug! s centimeters from a victim's face, pays homage to Hostel 2! 's s chlocky predecessors. Fortunately, one survivor remains, providing an ounce of vengeful, and sexy, satisfaction. As in the best exploitation films, gratuitous sex and violence are the norm here. What will be a warning to some to avoid this gruesome movie will be to others a cue to head straight to the theater. --Trinie DaltonHOSTEL PART II - Blu-Ray MovieWith repulsion levels at least comparable to Cannibal Holocaust, Herschell Gordon Lewis' Blood Feast, and other gory slasher landmarks, Eli Roth's Hostel 2 reconfigures ideas of violence to test how down and dirty a horror film can get. The film raises the stakes, leaving those who wish to make a sicker film out in the lurch for the time being. This sequel, like the first Hostel, is set in and around a Slovakian factory where European students are kidnapped, tortured, and killed by rich businessmen who pay enormous sums to experience death firsthand. An international elite, all tattooed wit! h a bulldog insignia, bid on young people to slaughter in a mob-organized, high-end, sex-slave trade catering to those with a death fetish. In Hostel 2, three girls from Rome, Beth (Laura German), Whitney (Bijou Phillips), and Lorna (Heather Matarazzo), are lured to Slovakia by a sultry, vampiric hottie (Vera Jordonova) who modeled for them in figure drawing class. Sidetracked and disoriented by some Pagan Slovakian festivals and luxurious hot springs, the girls slip away one by one, until the film moves inside the torture chambers. One client sits in a bathtub beneath her victim, who she slices with a scythe to bathe in blood, Elizabeth Bathory-style. Body parts fly as clients entering the facilities select their weapons of choice in a room full of knives, power tools, and rubber clothing. As ridiculous as it sounds, haunting soundtrack and cinematography set a disturbing mood. Morbid humor, for example when a chainsaw unplugs centimeters from a victim's face, pays ! homage to Hostel 2's schlocky predecessors. Fortunately! , one su rvivor remains, providing an ounce of vengeful, and sexy, satisfaction. As in the best exploitation films, gratuitous sex and violence are the norm here. What will be a warning to some to avoid this gruesome movie will be to others a cue to head straight to the theater. --Trinie DaltonHephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book contains chapters focused on Films set in Slovakia, and Hostel films.Poster will be rolled in a plastic sleeve and then shipped inside a custom made thick tube for extra protection! .

Wednesday, December 14, 2011

Gunner Palace DVD

  • American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations DVD Features: , Available Subtitles: English , Available Audi
Genre: Education/General Interest, War, Documentary, Theatrical Release, Soldiers, Military (Usa), Weapons, Saddam Hussein Director: Mike Tucker Description: In this striking documentary shot in 2003, early on in the US-led war on Iraq, a group of American soldiers in Baghdad who have taken over a bombed-out palace that belonged to Uday Hussein, the son of Saddam Hussein, offer the camera a view on their world. While they party poolside for most of the day and lead raids on homes of suspected bom! b-builders most nights, they also have a lot to say about the war and their situation. Rapping to each other or to the camera, they use rhyme to speak their minds about various aspects of the war, their day-to-day duties, and life in Iraq. Their youth and immaturity is striking, as is the war itself and the nebulous reasons that they are stationed there. While the primary purpose of GUNNER PALACE is to give the perspective of the soldiers, secondarily viewers get a glimpse of Iraqi civilians and how they react to the US military presence--some are terrified, others are skeptical, still others are compliant and grateful if not totally sure why. However, giving voice to the soldiers remains the film's major theme, and for this reason, filmmakers Michael Tucker and Petra Epperlein appealed the original R-rating given to the film by the MPAA, and won. With a PG-13 rating, filmmakers explained, teenagers considering military careers can watch the film and benefit from seeing sol! diers in combat and hearing them talk about what it's like. ! Releas e Notes: DVD Features: Region (unknown) Audio: Stereo 2.0 Surround Sound 5.1 Additional Release Material: Deleted Scenes U.S. Theatrical Trailer DVD Rom Features: WeblinksGunner Palace may well prove to be the emblematic film of the Iraq war, offering a yet-to-be rivaled level of intimacy with the inner lives of those who hate war more than anyone--the soldiers who have to fight it. A war documentary seemingly without an agenda, at least in political terms, it appears to neither support left-wing nor right-wing interpretations of the Iraq war (or perhaps it supports both). Director Michael Tucker provides a ground-level view of the conflict by closely following members of the 2/3 Field Artillery. He lived with these soldiers, documented their daily lives in a bombed-out former pleasure palace once belonging to Uday Hussein, accompanied them on raids, and recorded their brutally honest observations on film. We learn that mortar attacks typically fail to rattle the tr! oops, but that paper bags or packages in the streets that may contain Improvised Explosive Devices evoke gut-churning anxiety. We see Iraqi civilians whose homes are raided, cowering with fear as these members of the occupation search for contraband weapons. We meet soldiers who express profound doubts about the morality of their mission, soldiers who earnestly hope they’re helping the people of Iraq, soldiers who roll on the ground with laughter at the ineffective armor they've been provided for their Humvees. Most of these men (and occasionally women) hail from small towns and vacillate between exaltation for the adventure they're experiencing on the world stage and deep confusion and disillusionment at how it's proceeding. At one point in the documentary, Tucker returns to his home in the states; some footage of him making breakfast in his kitchen is shocking when one considers that only twelve hours previous he was in a war zone. Gunner Palace recapitulates thi! s dissonant sensation by virtue of its candor and proximity to! the con flict. In the 1970s the major broadcast media brought Vietnam into our living rooms via the nightly news. Gunner Palace, practically by itself, provides the same service today. --Ryan Boudinot

Sunday, December 11, 2011

DYSFUNKTIONAL FAMILY ORIGINAL MOVIE POSTER

Off-Shoulder Cable Knit Sweater - PALE MAUVE (M)

Cellular (New Line Platinum Series)

  • SUSPENSE IS ON THE LINE! After getting a frantic call on his cell phone from a kidnapped woman, a young man must battle his way through a ruthless world of lies and murder to rescue her. A fast-paced thriller in the vein of Phone Booth and Speed that will keep you riveted with edge-of-your-seat car chase scenes.Running Time: 95 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating:&nbs
SUSPENSE IS ON THE LINE! After getting a frantic call on his cell phone from a kidnapped woman, a young man must battle his way through a ruthless world of lies and murder to rescue her. A fast-paced thriller in the vein of Phone Booth and Speed that will keep you riveted with edge-of-your-seat car chase scenes.

DVD Features:
Audio Commentary:with Director David Ellis, writers Larry Cohen and Chris Morgan
DVD ROM Features:Script-to-Screen
Deleted Scenes:w/optional Direct! or commentary
Featurette:3 Exciting Featurettes! "Celling Out"A look at cellphones in today's culture "Dialing Up Cellular"Making of The Film "Code of Silence: Inside the Rampart Scandal"
Theatrical Trailer

Just when you think it's getting silly, Cellular serves up another tantalizing twist. In the time-honored tradition of Sorry, Wrong Number and Wait Until Dark, Kim Basinger is well-cast as a resourceful damsel-in-distress who thwarts her kidnappers by connecting with a n'er-do-well cell-phone user (Chris Evans, later seen in The Fantastic Four) who races against time to rescue her from afar. One good cop (William H. Macy) assembles clues to uncover conspiracy, while first-time writer Chris Morgan and pulp-movie master Larry Cohen (who conceived the plot, similar to his own Phone Booth screenplay) serve up a consistently satisfying string of high-tension surprises. Jason Statham continues to prove his rising-s! tar status as the film's tenacious villain, and director David! Ellis ( Final Destination 2) takes advantage of his experience as a veteran stunt coordinator and second-unit director, making good use of locations in his native Santa Monica, and wringing credible suspense from a deliriously far-fetched premise. --Jeff Shannon

Monday, December 5, 2011

The Beatles Classic Hits (Big Note Piano)

  • Published by Hal Leonard 96 Pages
  • Big-Note Piano
  • Artist: The Beatles
GARFIELD, the world's favorite feline, marks 15 years of laughs and lunches with this special silver volume, the 25th in his series of side-splitting comic compilations! After 15 years of funnies, GARFIELD's earned some extra sleep. But he'll still move all his muscles for meals and mayhem! Whether he's hogging Jon's chair or hog-tieing Odie, GARFIELD shows us how to grow old disgracefully.A special collection of dynamic performance poetry by Big Poppa E, perfect for high school and college speech students to use in competition or anyone who mistakenly thinks they hate poetry! BPE is a spoken word artist and three-time HBO Def Poet who melds rhythmic verse, stand-up comedy, and dramatic monologue into explosive works that skewer pop culture, politics, and the pain and beauty of relationships. His musings have! led to appearances on BET's The Way We Do It sketch comedy series, National Public Radio, and CBS's 60 Minutes (although, truth be told, he was only on for about three seconds... but still...)This great collection features big-note piano arrangements of 26 top Beatles hits, including: Come Together * Do You Want to Know a Secret? * The Fool on the Hill * Here Comes the Sun * Hey Jude * I'll Follow the Sun * If I Fell * In My Life * Lady Madonna * Let It Be * Lucy in the Sky with Diamonds * Penny Lane * Revolution * Sgt. Pepper's Lonely Hearts Club Band * She Loves You * Twist and Shout * Yesterday * and many more!
web log free